In Chapter 14 of the
Jixiao Xinshu, this latter section known as the
Quanjing Jieyao Pian, covers the subject of unarmed combat. Qi Jiguang regarded unarmed fighting as being useless on the battlefield. However, he recognized its value as a form of basic training to strengthen his troops, improving their physical fitness and confidence. In 32 verses, Qi describes several empty-hand ploys from among the martial arts of the period. The descriptions of the techniques are written in verse, typically with seven characters per line, three sections per verse. These pithy descriptions rarely describe any technique in reproduceable detail. They allude to techniques rather obliquely, with a rough picture, with a follow up ploy or action, and often a boast. While a handful of postures are illustrated, the tone of the verses implies that the reader should already be familiar with the techniques mentioned, or that Qi had little interest in actually divulging any empty hand fighting methods in his text. Around 40 martial postures are identified in Qi's text by name. They are: • Going Out the door posture • Single whip stance • Golden rooster stands on one leg • Reclined ox stance • spy technique • short strike • Yellow flower close in tightly • push to upend Mt.Tai • Aloes wood posture • Seven star strike • Mount the dragon backwards • lower jabbing position • Ambush crouch posture • Elbow in hand position • splitting strike and pushing press • One instant step • Capture and grab stance • middle four level position • Crouched tiger posture • upper four level position • Reverse stabbing position • Back-facing bow stance • Well railing four-wise balanced • rapid boring split • Ghost kicking foot • fall recovery • elbow that bores the heart • Finger opposition posture • Beast head position • Spirit fist • Grounded sparrow beneath the dragon • Sun-facing hand • Knockdown posture • Wild goose wings stance • clipping split • Straddling tiger posture • Loose hands scissor maneuver • Eagle seizes the rabbit position • Canonball against the head maneuver • Shuan shouh strike • Banner and drum posture Some of these techniques are preserved in modern martial arts. 15 techniques have extremely similar or exact names to those in modern-day Taijiquan, especially Chen Style. They are: • Going Out the Door position [aka Block Brushing Clothes, or Casually Fixing Clothes] • Single Whip stance • Golden Rooster stands on one leg • Spy technique [Seek the Spy/Measure the Horse] • Push and upend Mt. Tai [Cover Head Push Mountain] • Seven Star strike • Mount the dragon backwards [Mount The Donkey Backwards] • Elbow in hand position [Fist Under Elbow] • Capture and Grab stance [Small Catch & Grab] • Red fist • Elbow that bores the heart • Beast Head position • Wild Goose Wings stance [White Goose (or Crane) Spreads Wings] • Straddling Tiger posture • Canonball Against the Head maneuver Techniques: Cannon Towards Head, Goose Spreads Wings; are described in enough detail to be recognized as almost exactly the same to this day. Others such as Single Whip, Golden Rooster, Push Mountain, Seven Star Stance, Red Fist, Beast Head Pose, are staples of several northern Chinese martial arts in general. Some theorize that modern Taijiquan started as the gambits described in the 32 Empty hand verses of Qi Jiguang being taken by Chen Wangting as the basis for his supposedly new art. There does seem to be notable overlap, but the number of named techniques covers only a fraction of the techniques even in early lists of Taijiquan routines, much less the latter ones. It is just as likely many techniques were simply widespread in that era. In the chapter's introduction, Qi names sixteen different fighting styles, all of which he considered to have been handed down in an incomplete fashion, "some missing the lower part, some missing the upper". Among the arts listed is the
Shaolin staff method, which was later documented in detail in
Cheng Zongyou's
Exposition of the Original Shaolin Staff Method, published around 1610. By contrast, Shaolin unarmed fighting techniques are not mentioned. The entire listing of late Ming dynasty martial arts was later copied without attribution by a manual of the Shaolin style, the
Hand Combat Classic (
Quanjing quanfa beiyao). However, the later manual, with a preface dated to 1784, altered the text, adding a spurious claim that the history of hand combat had originated at the Shaolin Monastery. Qi's discussion of hand-to-hand combat makes no mention of a spiritual element to the martial arts, nor does it allude to breathing or
qi circulation. By contrast, Chinese martial arts texts from the
Ming–Qing transition onward represent a synthesis of functional martial arts techniques with
Daoist daoyin health practices, breathing exercises, and meditation. ==Influence==