Critics' reviews after Sundance were mostly lukewarm, praising the performances of Colman and Lithgow, but suggesting that Hyde tries to cover too much ground, resulting in a meandering plot. Robert Daniels writing on
RogerEbert.com, criticised the film's lack of nuance and subtlety, and called it a "sprawling endeavor" that lacks focus. Peter Debruge, writing in
Variety, calls the film "category-defying", and said that Lithgow's role was his richest since
The World According to Garp. Chase Hutchinson, writing for
TheWrap, wrote that Hyde "capture[d] a life...about as fully as one could ever hope to do", and that the film is "not just incisive and compassionate, but fully attuned to the rhythms of this modern family". He writes that Olivia Colman and John Lithgow "soar" in the film, but reserves particular praise for Aud Mason-Hyde, saying that they are "a breakout star". He also praises the cinematography by Matthew Chuang. After the film's Adelaide premiere, Stephen A. Russell, writing in ScreenHub Australia, gave the film 4 out of 5 stars, praising the acting (Mason-Hyde is "revelatory"; "the brilliant Box exaggerates her brassy Australianness with fizzing fabulousness") as well as many aspects of the film production, including direction, cinematography, musical score, and editing. He writes that Hyde "explores family dynamics with sensitivity and subtlety", in this "meta-textually sumptuous reckoning with [her] upbringing, which freely and fictitiously rewrites that narrative". Heather Taylor Johnson, writing in
InDaily, says that the writers (Hyde and McCormack) are "interested in spotlighting an intergenerational queer family in which people love one another unconditionally and are proud of one another, where they choose how to live their lives fearlessly, with openness and love and boundless support". She highlights one of the questions posed by Hannah, whether drama can exist without conflict, and concludes that it can.
Stun Magazine, a
Canberra-based magazine for the queer community, gave it 4.5 stars.
FilmInk's Cain Noble-Davies, while praising aspects of the film, wrote "it often feels like the film gets lost on its own journey across the family's subplots", and opines that it is not as strong as Hyde's previous films in terms of audience engagement. ==References==