Early work and Broadway .|left|279x279px Around 1927, she returned to New York, worked as a fashion model, a circus hand, a clerk in a store, joined a stock company to become an actress, and performed on Broadway. In 1930, she starred with
James Cagney in
Penny Arcade on Broadway.
Penny Arcade lasted only three weeks, but
Al Jolson saw it and bought the rights to the play for $20,000. He then sold the rights to
Warner Bros., with the proviso that Blondell and Cagney be cast in the film version, named ''
Sinners' Holiday'' (1930). Placed under contract by Warner Bros., she moved to Hollywood, where studio boss
Jack L. Warner wanted her to change her name to "Inez Holmes", but Blondell refused.
1930s film success in
Footlight Parade (1933) Blondell was paired several more times with James Cagney in films, including
The Public Enemy (1931) and
Footlight Parade (1933), and was one-half of a
gold-digging duo with
Glenda Farrell in nine films. During the
Great Depression, Blondell was one of the highest-paid individuals in the United States. Her stirring rendition of "Remember My Forgotten Man" in the
Busby Berkeley production of
Gold Diggers of 1933, in which she co-starred with
Dick Powell and
Ruby Keeler, became an anthem for the frustrations of unemployed people and the government's failed economic policies. In 1937, she starred opposite
Errol Flynn in
The Perfect Specimen. By the end of the decade, she had made nearly 50 films. She left Warner Bros. in 1939.
Mid-career and stage return In 1943, Blondell returned to Broadway as the star of Mike Todd's short-lived production of
The Naked Genius, a comedy written by
Gypsy Rose Lee. The following month Blondell,
Joe E. Brown and
Buster Keaton guest-starred in "You're All Right, Ivy", the final episode of the short-lived circus drama
The Greatest Show on Earth, as well as the directorial debut of its star
Jack Palance. In 1965, she was in the running to replace
Vivian Vance as Lucille Ball's sidekick on the hit CBS television comedy series
The Lucy Show. After filming her second guest appearance as Joan Brenner (Lucy's new friend from California), Blondell walked off the set right after the episode had completed filming when Ball humiliated her by harshly criticizing her performance in front of the studio audience and technicians.
Final years and legacy Blondell continued working on television. In 1968, she guest-starred on the CBS sitcom
Family Affair, starring
Brian Keith. She replaced
Bea Benaderet, who was ill, for one episode on the CBS series
Petticoat Junction. In that installment, Blondell played FloraBelle Campbell, a lady visitor to
Hooterville, who had once dated Uncle Joe (
Edgar Buchanan) and Sam Drucker (
Frank Cady). The same year, Blondell co-starred in all 52 episodes of the ABC series
Here Come the Brides. Blondell received two consecutive Emmy nominations for outstanding continued performance by an actress in a dramatic series for her role as Lottie Hatfield. In 1971, she followed
Sada Thompson in the off-Broadway hit
The Effect of Gamma Rays on Man-in-the-Moon Marigolds, with a young
Swoosie Kurtz playing one of her daughters. In 1972, she had an ongoing supporting role in the series
Banyon as Peggy Revere, who operated a secretarial school in the same building as Banyon's detective agency. This was a 1930s period action drama starring Robert Forster in the title role. Her students worked in Banyon's office, providing fresh faces for the show weekly. The series was replaced midseason. Blondell has a
motion pictures star on the
Hollywood Walk of Fame for her contributions to the film industry. Her star is located at 6311 Hollywood Boulevard. In December 2007, the
Museum of Modern Art in New York City mounted a retrospective of Blondell's films in connection with a new biography by film professor
Matthew Kennedy. More recently her films have been screened by revival houses such as
Film Forum in Manhattan, the
UCLA Film and Television Archive in Los Angeles, the
Hippodrome Cinema in Bo'ness, Scotland, and at the 2019
Lumière Film Festival in Grand Lyon, France. She wrote a novel titled
Center Door Fancy (New York: Delacorte Press, 1972), which was a thinly disguised autobiography with veiled references to June Allyson and Dick Powell. ==Personal life==