Critical The
Observer called the film "so embarrassingly unfunny I often felt like crawling under my seat." The
Evening Standard called it "witless... lame to the point of pain... a dire reminder of the worst we [British film] can do... a costly fiasco." Jimmy Nail wrote in his memoirs, "The film had its faults and it was no masterpiece, but it didn’t deserve that kind of smart-arse dismissal... Mel and Griff are two tip-top geezers... Sadly
Morons From Outer Space, through no fault of theirs, inhabited a place that was neither adult, kids’ nor juvenile humour. It missed the spot and just about finished off Mel and Griff as film-makers almost before they’d started. Not for the first time, a really good opportunity had been squandered by anonymous executives who had called it wrong."
Empire criticized its "loose script whose weaknesses are all the more glaring for the film's inability to exploit the power of absurdity." In the US, the
Los Angeles Times said "it might have made a moderately amusing 15 minute TV sketch." Mike Hodges disliked the film, regarding it as a "misfire". He clashed with Smith and Jones in post production, an article claiming "they did not trust, or perhaps understand his comedic judgement or cinematic visual satire and the film became far more broad than he had intended." However, he did enjoy satirising the sentimental "Spielbergian vision of the world". Jon Spira of BFI has argued in support of the movie calling it "a genuinely funny film" which "combines the most base physical humour with sophisticated social commentary. It mocks British social mores, aggressive American foreign policy, and every level of the establishment and media... Specifically,
Morons from Outer Space was an attempt to burst the bubble of late 70s/early 80s sci-fi as ushered in by Steven Spielberg." However it only earned $17,000 in the US. ==References==