He was for a short time pupil of Major the engraver, and worked for several years under Cipriani, profiting at the same time by the instruction of Zuccarelli. He was employed by John Boydell to make drawings. Gresse lacked the industry and application necessary to succeed in the higher branches of his art, and as he inherited a sufficient income from his father, he did not exert his full powers. In 1763, he exhibited a landscape at the Free Society of Artists, and in 1764 two miniatures and a Madonna. In 1765 he became a member of the rival
Incorporated Society of Artists, and exhibited with them for four years, chiefly miniatures. In 1768, he sent a stained drawing of the
Earl of Bessborough's seat at
Roehampton. Gresse excelled in this branch of water-colour painting, and some of his views were engraved. He became one of the most fashionable drawing-masters of his day. In 1777, he was appointed drawing-master to the royal princesses, and was soon a favourite at court. His corpulence obtained for him the nickname of ‘Jack Grease.’ He occasionally practised etching, and etched the plates for Kennedy's ‘Account of the Statues and Pictures at Wilton House’ (1769). He published a few other etchings, including one of ‘St. Jerome’ after Guido, and ‘A Satyr Sleeping’ after
N. Poussin. ==Death and legacy==