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John Clute

John Frederick Clute is a Canadian-born author and critic specializing in science fiction and fantasy literature who has lived in both England and the United States since 1969. He has been described as "an integral part of science fiction's history" and "perhaps the foremost reader-critic of science fiction in our time, and one of the best the genre has ever known." He was one of eight people who founded the English magazine Interzone in 1982.

Personal life
Raised in Canada, Clute lived in the United States from 1956 until 1964. He earned a Bachelor of Arts degree at New York University in 1962 while living with writer and artist Pamela Zoline. Clute married artist Judith Clute in 1964. He has been the partner of Elizabeth Hand since 1996. ==Career==
Career
Clute's first professional publication was a long science-fictional poem entitled "Carcajou Lament", which appeared in TriQuarterly in 1959. His first short story (one of his few) was "A Man Must Die", which appeared in New Worlds in 1966. In 1960, he served as Associate Editor of Collage, a Chicago-based "slick" magazine which ran only two issues; it published early work by Harlan Ellison and R. A. Lafferty. During the 1960s and 70s he appeared chiefly in NEW WORLDS, becoming an important contributor of essays and reviews. In 1977, Clute published his first novel, The Disinheriting Party (Allison & Busby). Though not explicitly a fantasy, this story of a dysfunctional family has a fantasy feel, rather like much postmodern literature. Reviewer Hilary Bailey wrote that this "everyday story of family life in a revenge tragedy, of relations and revelations, hidden identities and loss of identity, incest and inheritance, all brooded over by the Father Who Will Not Die, carries itself forward swiftly and surely to its conclusion with strength and control." Clute's second novel, Appleseed (2001), is the story of trader Nathanael Freer, who pilots an AI-helmed starship named Tile Dance en route to the planet Eolhxir to deliver a shipment of nanotechnological devices. Freer meets a man calling himself Johnny Appleseed, who rejoins Freer with his lost lover, Ferocity Monthly-Niece. Meanwhile, a terrifying, data-destroying "plaque" is threatening the galaxy's civilizations. Clute has proposed it as the first novel in a trilogy. Science fiction and fantasy author Paul Di Filippo called it "a space opera for the 21st century." Reviewing Clute's first significant science fiction reviews appeared in the late 1960s in New Worlds. "Prometheus Emphysema", "An empty bottle. An empty mind. An empty book", "Book of the Mouth", and "Mage Sh*t". Excessive candour Clute has issued a polemic he calls the "Protocol of Excessive Candour", which argues that reviewers of science fiction and fantasy must not pull punches because of friendship: His review column of this name began at Science Fiction Weekly and moved to Sci-Fi Wire. Writing style Contributing the essay on himself for The Encyclopedia of Science Fiction, Clute wrote that his "criticism, despite some curiously flamboyant obscurities, remains essentially practical; it has appeared mostly in the form of reviews, some of considerable length." He told an interviewer, Matthew Davis has written, "Clute stands out, not just because of the depth and breadth of his knowledge, but also for the individuality of his writing; even the most formal sentence plucked from one of his scholastic works is readily identifiable due to his individual judgement and style." Author Henry Wessells, in a review of The Darkening Garden, wrote: ==Critical reception==
Critical reception
Hilary Bailey, reviewing The Disinheriting Party, wrote, Describing Clute's criticism, Davis has written, In a review of Look at the Evidence, Douglas Barbour exhorts the reader, "Find this book! You won't be sorry!" and admires Clute had gained a reputation as a critic before his second novel appeared, and some reviewers admitted that they found it "difficult" to read; others found it "intimidating" to review, as though trying carried the jeopardy of being found failing. Paul Di Filippo was excited by Appleseed, writing, Some reviewers were of two minds: John C. Snider, similarly, suggested "Future Classic or Total Gibberish?": and Keith Brooke wrote, "This is not an over-written novel, it's an intensely-written one. At its best it's a fantastically effective technique: a spangly word-portrait that has a real sense of wonder bursting off every page. At its worst, it gets in the way, blinding the reader to Clute's wildly detailed imaginings." ==Bibliography==
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