In 1971, Asmus met oceanographer
Walter Munk, who asked Asmus if he could make holograms of statues and art objects in Venice in order to preserve them. Through this process, Asmus discerned that he could use lasers to remove detritus encrusting the statues without harming the underlying works. That same year, Asmus worked with holography pioneer Ralph Wuerker, with whom he "proved the feasibility of creating full-size holograms of statuary, permitting three-dimensional reproductions of the world's sculptural masterpieces". Asmus continued working with Munk to create a three-dimensional record of the city of
Venice in 1973, while continuing to investigate means of using lasers to clean statuary. In 1975, Asmus developed "supersensitive sonar detectors" to assist art historian
Carlo Pedretti and other scientists searching for
The Battle of Anghiari, a lost painting by
Leonardo da Vinci, at times referred to as "The Lost Leonardo", believed to be hidden beneath one of the later
frescoes in the
Salone dei Cinquecento (Hall of the Five Hundred) in the
Palazzo Vecchio in
Florence. In 1978, Asmus used laser technology to uncover artwork in the
California State Capitol building that had been repeatedly painted over since a 1939 remodeling, ultimately removing nine layers of paint to restore the original artwork. In the 1980s, Asmus "turned a personal fascination with the Mona Lisa into a five-year project to recapture the painting's original vitality". Pedretti had proposed that Leonardo had originally painted the
Mona Lisa bare-breasted, and Asmus believed that he could determine whether this theory was correct, "using computer image enhancement techniques developed for interpreting satellite photographs". Asmus also determined that restorers had obscured mountains originally appearing in the background of the portrait, likely in order to emphasize foreground features. During this same period, Asmus also developed a plan to restore the Qin dynasty
Terracotta Army in
Xi'an, China, In 2016 Asmus revisited the
Isleworth Mona Lisa with professors
Vadim Parfenov and
Jessie Elford, with the trio publishing the results of scientific examinations that established to their satisfaction that the same artist painted the face of both the
Mona Lisa and the
Isleworth Mona Lisa. In 2018, Asmus and Parfenov published findings on the application of the same technology to portraits by
Rembrandt. ==Personal life and death==