Whilst still at Eton, Verney had made some drawings in the style of
Heath Robinson, some of which he submitted for publication (without success) to
Punch. Following his demobilisation in November 1945, he began to paint, in a variety of styles and using a range of media, and exhibited at London galleries such as the
Leicester, the
Redfern, and the New Grafton. A more reliable source of income was his work writing and illustrating children's magazines and books; he also had a brief period as editor of
The Young Elizabethan in 1961–2. In 1965 he produced the Dodo Pad 'a combined memo-doodle-engage-diary-message-ment book' for the year 1966. With a gap in 1972, he produced a Dodo Pad every year until 1992. The Dodo Pad is still produced today and follows the same structure and format he devised to keep track of his large family. On the death of his father in February 1959, Verney succeeded to the title of the 2nd Baronet Verney, of Eaton Square, City of Westminster. In 1968, he was elected to
Farnham urban district council as an independent, and helped found the Farnham Trust, now one of the oldest building preservation trusts in the UK. A number of his paintings depicting local scenes are displayed in the
Museum of Farnham. In the early 1980s he served as chairman of the Gainsborough Museum at
Sudbury, Suffolk. == Personal life ==