John Byrne Leicester Warren, third and last
Baron de Tabley, was born at
Tabley House, Cheshire on 26 April 1835. He was the eldest son of
George Fleming Leicester (afterwards Warren), Lord de Tabley (1811–1887), and his wife (married: 1832) Catherina Barbara (1814–1869), second daughter of
Jerome, Count de Salis-Soglio. The young Warren, as he then was, was educated at
Eton from 1847 to 1851, in the Rev. Edward Coleridge's house, and then at
Christ Church, Oxford, where he graduated in 1856 with second class honours in classics, law, and modern history. In the autumn of 1858 he went to Turkey as unpaid
attaché to
Lord Stratford de Redcliffe. In 1860 he was
called to the bar from
Lincoln's Inn. He was commissioned as a part-time Lieutenant in the
Cheshire Yeomanry and unsuccessfully contested
Mid-Cheshire as a
Liberal in 1868. After his mother died and his father remarried in 1871, Warren moved to London, where he became a close friend of
Tennyson. Tennyson once said of him: 'He is
Faunus, he is a woodland creature'. From 1877 until his succession to the barony and estates in 1887, Warren was lost to his friends, assuming the life of a
recluse. It was not until 1892, five years after becoming Lord de Tabley, that he returned to London life and enjoyed a renaissance of reputation and friendship.|left During the later years of his life, Tabley made many new friends, besides reopening old associations, and he seemed to be gathering around him a small literary company when his health broke, and he died at
Ryde on the
Isle of Wight in his sixty-first year. He is buried at
St Oswald’s Church, Lower Peover in Cheshire. Although his reputation will live almost exclusively as that of a poet, Tabley was a man of many studious tastes. He was at one time an authority on
numismatics (he was a first cousin of the numismatist
John, Count de Salis-Soglio), he wrote two novels, published
A Guide to the Study of Book Plates (1880), and the fruit of his careful researches in botany was printed posthumously in his elaborate
Flora of Cheshire (1899). Poetry, however, was his first and last passion, and to that he devoted the best energies of his life. Lord de Tabley's first impulse towards poetry came from his friend
George Fortescue, with whom he shared a close companionship during his Oxford days, and whom he lost, as Tennyson lost Hallam, within a few years of their taking their degrees. Fortescue was killed by falling from the mast of
Lord Drogheda's yacht in November 1859, and this gloomy event plunged Tabley into a deep depression. Between 1859 and 1862 he issued four little volumes of
pseudonymous verse (by
G. F. Preston), in the production of which he had been greatly stimulated by the sympathy of Fortescue. Once more he assumed a pseudonym: his
Praeterita (1863) bearing the name of
William Lancaster. In the next year he published
Eclogues and Monodramas, followed in 1865 by
Studies in Verse. These volumes all displayed technical grace and much natural beauty; but it was not until the publication of Philoctetes in 1866 that Tabley met with any wide recognition.
Philoctetes bore the initials M.A., which, to the author's dismay, were interpreted as meaning
Matthew Arnold. He at once disclosed his identity, and received the congratulations of his friends, among whom were Tennyson,
Browning and
Gladstone. In 1867 he published
Orestes, in 1870
Rehearsals and in 1873
Searching the Net. These last two bore his own name, John Leicester Warren. He was somewhat disappointed by their lukewarm reception, and when in 1876
The Soldier of Fortune, a drama on which he had bestowed much careful labour, proved a complete failure, he retired altogether from the literary arena. It was not until 1893 that he was persuaded to return, and the immediate success in that year of his
Poems, Dramatic and Lyrical encouraged him to publish a second series in 1895, the year of his death. The genuine interest with which these volumes were welcomed did much to lighten the last years of a somewhat sombre and solitary life. His posthumous poems were collected in 1902.
Arthur Waugh gives the following assessment of Tabley as a poet: There is also a sketch of Lord de Tabley by
Edmund Gosse in his
Critical Kit-Kats (1896). This is an extract of what Gosse wrote: ==Sisters==