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Johnny Griffin

John Arnold Griffin III was an American jazz tenor saxophonist. Nicknamed "the Little Giant" for his short stature and forceful playing, Griffin began his career in the mid-1940s and continued until the month of his death. A pioneering figure in hard bop, Griffin recorded prolifically as a bandleader in addition to stints with the pianist Thelonious Monk and the drummer Art Blakey, in partnership with his fellow tenor Eddie "Lockjaw" Davis, and as a member of the Kenny Clarke/Francy Boland Big Band after he moved to Europe in the 1960s. In 1995, Griffin was awarded an Honorary Doctorate of Music from Berklee College of Music.

Early life and career
Griffin studied music at DuSable High School in Chicago under Walter Dyett, Alto saxophone was still his instrument of choice when he joined Lionel Hampton's big band, By mid-1947, Griffin and fellow Hampton band member Joe Morris, After returning to Chicago from two years in the Army, Griffin began to establish a reputation as one of the premiere saxophonists in that city. Thelonious Monk enthusiastically encouraged Orrin Keepnews of the Riverside label to sign the young tenor, but before he could act Blue Note had signed Griffin. He joined Art Blakey's Jazz Messengers in 1957, and Gene Ammons, and on the road. Diminutive, he was distinctive as a fashionable dresser, a good businessman, and a well-liked bandleader to other musicians., Half Moon Bay, California, 1985 Griffin was leader on his first Blue Note album Introducing Johnny Griffin in 1956. Also featuring Wynton Kelly on piano, Curly Russell on bass and Max Roach on drums, the recording brought Griffin critical acclaim. The album ''A Blowin' Session'' (1957) featured John Coltrane and Hank Mobley. He played with Art Blakey's Jazz Messengers for a few months in 1957 and in the Thelonious Monk Sextet and Quartet (1958). Move to Europe Griffin moved to France in 1963 and to the Netherlands in 1978, where he settled in Bergambacht. His relocation was the result of several factors, including income tax problems, a failing marriage and feeling "embittered by the critical acceptance of free jazz" in the United States, as journalist Ben Ratliff wrote. Apart from appearing regularly under his own name at jazz clubs such as London's Ronnie Scott's, Griffin became a "first choice" sax player for visiting US musicians touring the continent during the 1960s and 1970s. In 1965, he recorded albums with Wes Montgomery. He briefly rejoined Monk's groups (an Octet and Nonet) in 1967. From 1967 to 1969, he was part of the Kenny Clarke/Francy Boland Big Band. and again with the Dizzy Gillespie Big 7 at the Montreux Jazz Festival. In the late 1970s, Griffin recorded with Peter Herbolzheimer and His Big Band, which also included, among others, Nat Adderley, Derek Watkins, Art Farmer, Slide Hampton, Jiggs Whigham, Herb Geller, Wilton Gaynair, Stan Getz, Gerry Mulligan, Rita Reys, Jean "Toots" Thielemans, Niels-Henning Ørsted Pedersen, Grady Tate, and Quincy Jones as arranger. He also recorded with the Nat Adderley Quintet in 1978, having previously recorded with Adderley in 1958. In 1978, Griffin and Dexter Gordon returned to the U.S., and the two performed at the Ann Arbor's Eclipse Jazz Festival, before recording Live at Carnegie Hall. == Discography ==
Discography
As leader/co-leader Studio albums Live albums As sideman With Ahmed Abdul-MalikJazz Sahara (Riverside, 1958) • East Meets West (RCA Victor, 1960) With Nat AdderleyBranching Out (Riverside, 1958) • A Little New York Midtown Music (Galaxy, 1978) With Art Blakey • ''Selections from Lerner and Loewe's...'' (Vik, 1957) • A Night in Tunisia (Vik, 1957) • Cu-Bop (Jubilee, 1957) • ''Art Blakey's Jazz Messengers with Thelonious Monk'' (Atlantic, 1957) • Hard Drive (Bethlehem, 1957) With the Kenny Clarke/Francy Boland Big BandSax No End (SABA, 1967) • Out of the Folk Bag (Columbia, 1967) • 17 Men and Their Music (Campi, 1967) • All Smiles (MPS, 1968) • Faces (MPS, 1969) • Latin Kaleidoscope (MPS, 1968) • Fellini 712 (MPS, 1969) • All Blues (MPS, 1969) • More Smiles (MPS, 1969) • Volcano (Polydor, 1969) • Clarke Boland Big Band en Concert avec Europe 1 (Tréma, 1992) – recorded in 1969 With Dizzy GillespieThe Giant (America, 1973) • The Source (America, 1973) • The Dizzy Gillespie Big 7 (Pablo, 1975) With Philly Joe JonesBlues for Dracula (Riverside, 1958) • Look Stop Listen (Uptown, 1983) with Dameronia With Thelonious MonkThelonious in Action (Riverside, 1958) – live • Misterioso (Riverside, 1958) – live With Bud PowellBud in Paris (1975, Xanadu) – live recorded in 1960 • Earl Bud Powell, Vol. 8: Holidays in Edenville, 64 (Mythic Sound, 1964) With A. K. SalimStable Mates (Savoy, 1957) • Pretty for the People (Savoy, 1958) – recorded in 1957 With othersChet Baker, Chet Baker in New York (Riverside, 1958) • Count Basie, Count Basie Jam Session at the Montreux Jazz Festival 1975 (Pablo, 1975) • James Carter, ''Live at Baker's Keyboard Lounge'' (Warner Bros., 2004) – recorded in 2001 • Tadd Dameron, The Magic Touch (Riverside, 1962) • Bennie Green, ''Glidin' Along'' (Jazzland, 1961) • Johnny Lytle, Nice and Easy (Jazzland, 1962) • Blue Mitchell, Big 6 (Riverside 1958) • Jimmy Smith, Keep On Comin' (Elektra/Musician, 1983) • Ira Sullivan, Blue Stroll (Delmark, 1961) • Clark Terry, Serenade to a Bus Seat (Riverside, 1957) • Wilbur Ware, The Chicago Sound (Riverside, 1957) • Randy Weston, Little Niles (United Artists, 1958) • Wes Montgomery, Full House (Riverside, 1962) • Wes Montgomery, Solitude (Paris Live Album) (Verve, 1962) • Roy Hargrove, With the Tenors of Our Time (Verve, 1994) == References ==
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