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Johnson Wax Headquarters

The Johnson Wax Headquarters is the corporate headquarters of the household goods company S. C. Johnson & Son in Racine, Wisconsin, United States. The original headquarters includes two buildings designed by Frank Lloyd Wright: the Administration Building, completed in April 1939, and the Research Tower, completed in November 1950. The headquarters also includes the Golden Rondelle Theater, relocated from the 1964 New York World's Fair, in addition to Fortaleza Hall and the Commons, a memorial to Samuel Curtis Johnson Jr. Both of the original buildings were widely discussed on their completion, and they have been depicted in several exhibits and media works. In addition, the original headquarters received the American Institute of Architects' Twenty-five Year Award and has been designated as a National Historic Landmark.

Site
The Johnson Wax Headquarters is located at 1525 Howe Street in Racine, Wisconsin, United States. The original headquarters comprises two structures, the Administration Building and Research Tower. These occupy a city block bounded by 16th Street to the south, Howe Street to the west, 15th Street to the north, and Franklin Street to the east. The Administration Building occupies a square site measuring on each side. The Research Tower is immediately to the north of the Administration Building, connected to it by a footbridge. Related structures Just north of the original Johnson Wax Headquarters campus is the Golden Rondelle Theater, near the intersection of 14th and Franklin streets. Designed by Lippincott & Margulies as a 1964 New York World's Fair pavilion, the theater has a saucer-shaped, gold-colored roof supported by six concrete columns. The modern theater has 308 seats Flanking the theater are two brick structures with glass-tube windows, designed by Taliesin Associated Architects; one is a lobby and display area, while the other structure is an exit. Immediately to the east of the Golden Rondelle Theater, and northeast of the original headquarters, is Fortaleza Hall, which opened in 2010 and was designed by Foster + Partners. The structure was built as a memorial to Samuel Curtis Johnson Jr. the president of the household goods company S. C. Johnson. Its name refers to Samuel Johnson's 1998 trip to Fortaleza, Brazil, which replicated a journey that his father Herbert Fisk "Hibbert" Johnson Jr. had made in 1935. Fortaleza Hall consists of a spherical atrium with a disc-shaped roof. Inside is a replica of the Sikorsky S-38 plane that Hibbert had flown, a cafeteria, a waterfall, a precast concrete wall with forest motifs, a green wall, and a reading room. Next to it is Waxbird Commons, an office building that opened in 2021; named after S. C. Johnson's Waxbird airplane, it includes green energy features such as a solar roof and geothermal heating. The campus also includes a plastic globe, the first version of which was built in 1954. The globe contained plastic markers denoting the locations of S. C. Johnson's offices and distributors around the world. According to the Racine Journal Times, the globe was the largest of its kind in the world when it was built, with a circumference of . == Development ==
Development
S. C. Johnson & Son was founded in Racine, Wisconsin, in 1886 and expanded rapidly in the late 19th and early 20th centuries. By 1936, some of the company's executives worked in a wooden house and a series of annexes next to the company's existing factory and warehouse. Hibbert Johnson initially wanted to expand the existing buildings before deciding on an entirely new campus. Samuel Johnson later reflected that his father "was tired of us being seen as a little old family enterprise in a little town in the Midwest". Original building Design Before starting his new building, Hibbert visited The Hershey Company's headquarters in Hershey, Pennsylvania, for inspiration. Upon his return to Racine, Hibbert hired J. Mandor Matson to design an office building near S. C. Johnson's existing headquarters. The initial drawings had few windows, if at all, and a revised blueprint from 1936 included windows. Ramsey and S. C. Johnson's advertising manager, William Connolly, were also unable to suggest suitable revisions. Jones visited Wright's Taliesin studio in Spring Green, Wisconsin, twice in July 1936 to discuss the proposed building, whereupon Wright characterized Matson's design as a crematorium. That month, Hibbert went to Taliesin to talk with the architect. Despite their personal disagreements, Hibbert asked Wright to design a headquarters for S. C. Johnson & Son in Racine, The architect offered to design a building costing $200,000 (much less than what Matson was asking), Wright promised that "the Johnson Administration Building is not going to be what you expect", Wright replaced Matson as the architect in late July 1936, less than a month before construction was supposed to begin; Hibbert's daughter Karen reported being elated that her father had decided to hire Wright. Shortly afterward, Wright visited the site that S. C. Johnson had acquired in Racine. At the time, the site had a series of wood-frame houses, a few small stores, and a cinema. Wright's plans for the Johnson Administration Building were based on his earlier, unbuilt design for the Capital Journal offices in Salem, Oregon, which included a series of mushroom–shaped columns and translucent walls. Wright tried to convince the company to relocate to the Racine suburbs, Ramsey and Connolly were vehemently against the idea, but Wright continued to promote it until his wife Olgivanna warned that S. C. Johnson might fire him, too. Two of Wright's apprentices, John Howe and William Wesley Peters, recalled that Wright rushed to draw his ideas but that he also focused on perfecting the building's geometry, particularly the grids of columns. Wright allocated space to each of S. C. Johnson's departments based on what each department needed. On August 9, 1936, ten days after he was hired, Wright went to Racine to show the plans to Hibbert and other S. C. Johnson officials. Hibbert requested two changes to the plans, although he retained Wright's draft plan for the most part. By the end of the month, Wright asked three apprentices to create a model of the building. Initial work and delays Hibbert Johnson suggested that his good friend Ben Wiltscheck be hired as the building's general contractor. Wright, who was typically adversarial toward contractors, saw Wiltscheck as "good help for us in getting this building properly built". and Peters and Mendel Glickman finalized the building's structural details. Apprentices at Taliesin created 18 to 20 drawings, many of which depicted the building's great workroom, a relatively simple space. Concurrently, Wright's apprentice Robert Mosher had been overseeing the construction of Fallingwater, Edgar J. Kaufmann's country estate in Pennsylvania, when Wright forced Mosher to return to Wisconsin after a dispute involving reinforcing steel. Mosher was instead appointed to oversee the construction of the S. C. Johnson Administration Building, while another apprentice, Edgar Tafel, took Mosher's place in Pennsylvania. Wiltscheck and Mosher worked out of a nearby shack. The Wisconsin Industrial Commission refused to approve plans for various aspects of the building, citing building-code violations, but ultimately approved most of these plans with few changes. in particular, inspectors felt that the columns were too thin to support the loads that had been indicated in Glickman's drawings. In the meantime, work continued. By the end of the year, the building's estimated cost had increased to $300,000. Wright, who had designed just two buildings in the previous half-decade, had severely underestimated the materials and labor expenses. Mosher returned to Pennsylvania in January 1937 to supervise Fallingwater, and Tafel was appointed as the Johnson Administration Building's supervisor. Tafel lived in a former bar across from the Administration Building's site, playing an organ as entertainment. The same month, S. C. Johnson bought a parcel immediately northwest of the Administration Building, as Ramsey wanted to construct a truck-repair garage there. Not all of Wright's proposals for the building were implemented; for example, Hibbert rejected a proposed pipe organ in the great workroom. In several instances, Wright finalized plans for certain parts of the building as they were being constructed. He spent one year adjusting the details of glass tubes that were to be installed on the facade. Meanwhile, state officials refused to approve the columns because they were not of sufficient thickness. The concrete for the column was poured in late May, and Wright began testing the column that June. at which point Wright ordered workers to pull down the column. and by that August, some of the walls had been finished. Work had to be halted in late October 1937 after Wright, with little warning, revised plans for the squash court and the cafeteria–theater space. During early 1938, Wright refined his plans for the interiors while at Taliesin West, his studio in Arizona. After Corning Glass began delivering Pyrex glass tubes for the building's facade, disagreements emerged over who should install the glass tubes. Progress was further delayed by labor strikes during early 1938; for example, laborers called a strike to demand higher wages, and material deliveries were delayed when truckers went on strike. Although Wiltscheck and Wright's apprentices all raised concerns about the use of Pyrex tubes for the skylights, which they claimed would leak, Wright refused to consider alternative materials. Hibbert secretly ordered standard glass skylights anyway; Tafel told Wright about this change, and Hibbert fired Tafel in retaliation. Hibbert eventually agreed to rehire Tafel and use Pyrex skylights after Wright threatened to resign over this dispute. The iron pipes in the floors were installed in April 1938, followed by the pouring of concrete floor slabs during June and July. Peters recalled that, just before the second floor was ready to be poured, he had to reinforce some of the first-floor columns after discovering that Wright had made a last-minute change to the placement of the second-floor columns. Olgivanna Wright recalled that her husband had become increasingly agitated because contractors and laborers requested constant clarifications on various aspects of the project. S. C. Johnson's board of directors, who were also displeased at the slow pace of construction, stopped paying Wright and Wiltscheck. Wright postponed a trip to England so he could oversee the building's construction. By that December, Wright was again ill with pneumonia, and the opening of the building had been postponed to early the next year. Having completed the Administration Building, Hibbert asked Wright to design the Wingspread mansion outside of Racine, which was also completed in 1939. The building had exceeded its original budget considerably; Fisk Johnson, one of S. C. Johnson's subsequent chief executives, estimated that the structure's cost was half of the company's entire net worth. Local Boy Scouts, Cub Scouts, and Sea Scouts members were invited to greet people for the building's official opening that April. Around 23,000 or 26,000 members of the public visited the building on April 23, 1939, The Johnson Administration Building also attracted other visitors, including a wide variety of architects and the animator Walt Disney (who was an acquaintance of Wright's). The caulking between the Administration Building's Pyrex glass tubes began to peel off after it was completed, causing leaks, which continued for several years. Glass tubes sometimes fell from the ceiling as well, and because the great workroom's light bulbs were wedged between the glass tubes, workers needed to remove the tubes with a special scaffold every time they had to replace the light bulbs. Hibbert wanted to avoid experimental design details, a main source of delays in the Administration Building's construction. or Hibbert had suggested developing a tower instead of a conventional low-rise building. Wright's initial plans for the research building called for a 18-story tower, with a hollow core in a fashion similar to Buckminster Fuller's 4D Apartment Tower and Dymaxion houses. The building would have two small elevators and two small stairs, later combined into one larger stair and elevator each. Additionally, there were to be a courtyard around the tower, a two-story "U"-shaped building surrounding the courtyard, and footbridges connecting the Administration Building and the Research Tower. Wright continued to fine-tune his design for the Research Tower during 1944, and he briefly considered constructing the tower to the west of the Administration Building, across Howe Street. By that September, Wright's plans called for a 16-story tower and two additional stories above the existing carport. Hibbert signed off on the revised plans in November 1944. Steinle, who was tasked with determining how the equipment would be laid out, commissioned a scale model of the proposed tower. Ben Wiltscheck agreed to be rehired as the tower's general contractor. William Wesley Peters was responsible for the tower's structural calculations, a particularly difficult task for him, as no similar structure had been built before. Work on the plans was delayed in 1945, as Wright had not finalized his drawings, thus preventing Peters and the tower's mechanical engineer from preparing their respective drawings. That August, Samuel Lewis was hired as the mechanical engineer. Some parts of the tower were redesigned after Lewis found that there was not enough space for utilities in some parts of the building. S. C. Johnson announced in November 1945 that they had rehired Wright to design a 15-story laboratory tower next to the Administration Building. Sketches of the laboratory tower were displayed in Milwaukee, These plans called for a laboratory tower and several ancillary structures hosting various S. C. Johnson departments. S. C. Johnson ultimately agreed in 1948 to pay Wright based on a cost estimate of $2 million, with the stipulation that Wright not receive further compensation if construction went over budget. S. C. Johnson received partial approval for the tower only after lobbying from U.S. Representative Lawrence H. Smith. By January 1948, workers were nearly finished excavating the research tower's site and were pouring foundations for an extension to the carport. The foundation was poured that February; according to one magazine, the project involved the largest continuous concrete pour in Wisconsin at the time. Laborers began pouring the floor slabs for the tower in mid-1948. Separate wooden formwork was built for the square main stories and the circular mezzanines; to create the hollow floor slabs, the concrete for each story was poured in two sections. The lowest story took seven weeks to pour, but workers became more efficient at pouring concrete as the structure ascended, eventually pouring one floor every three weeks. Because laborers had difficulties using the pumpcrete machine, they instead used conventional mixers on the ground. Further delays were incurred because the concrete had to be poured with as few deformities or inaccuracies as possible. As such, concrete work did not reach the fifteenth floor until mid-1949; the concrete frame topped out that October. Hibbert agreed to pay an increased insurance premium in exchange for not adding fire sprinklers. Wright also thought up ways to prevent the Research Tower's Pyrex windows from leaking. As a temporary measure, wooden sheeting was placed around the building in late 1949 while the Pyrex tubes were being delivered. After the laboratory equipment was delivered in April 1950, workers installed the equipment and the glass at the same time. The tower was dedicated on November 17, 1950. Hundreds of guests, including scientists, educators, and industrialists, were invited to the ceremony, where Wright said that "the building speaks eloquently for itself". == Post-completion ==
Post-completion
1950s to 1960s After the Research Tower was opened, S. C. Johnson began using the structure for research and development (R&D). The writer Jonathan Lipman reflected that the Research Tower's design had increased morale among chemists who shared space there. In the first decade of the tower's operations, scientists developed products such as furniture polish, insect repellent, air freshener, and insecticide. In 1954, S. C. Johnson erected a large plastic globe outside the headquarters, serving as a corporate symbol. Steinle and another S. C. Johnson chemist, Edward Wilder, recalled that each pair of stories in the Research Tower was equivalent to five laboratories, but they also said that chemists often waited to chat with colleagues on different floors because they did not want to wait for the tower's only elevator. The same year, parts of the Administration Building's skylights were replaced with corrugated plastic. After Wright's death that year, William Wesley Peters (who by then led Wright's successor firm, Taliesin Associated Architects) was hired to design an expansion to the east of the tower's carport. The annex was completed in 1961. which lacked the refrigerant and compressor coils found in typical air-cooling systems. After the end of the 1964 New York World's Fair, the Golden Rondelle Theater was relocated to the Johnson Wax Headquarters in 1966. The land to the north of the existing headquarters was acquired and cleared to make way for the theater, as well as S. C. Johnson meetings. By then, the Johnson Wax Headquarters accommodated over 9,000 annual visitors. prompting the company to construct additional offices outside Racine in the late 1960s. Taliesin Associated Architects oversaw other minor changes to the two original buildings over the years. 1970s to 1990s S. C. Johnson hired Llewelyn Davies Associates in 1969 to create plans for redeveloping the area around the Johnson Wax Headquarters. The plan was released in 1970 and called for several buildings immediately north of the headquarters, such as an employee cafeteria, a workshop and maintenance building, a public exhibition building, a parking garage. The plan also called for a public park around the Golden Rondelle Theater and housing north of the theater. The company continued to grow, prompting S. C. Johnson to ask four firms to design an expansion of the headquarters in the 1970s, although none of these designs were used. and laborers added and renovated offices in the workroom's mezzanine. The company constructed a tunnel from the original headquarters to the hospital, S. C. Johnson subsequently moved several departments from the original headquarters to the hospital. The company retained some offices on the tower's second story. A plastic globe outside the headquarters was installed in 1986 to replace the original globe. S. C. Johnson also wanted to repurpose the tower, and S. C. Johnson celebrated the Administration Building's 50th anniversary in 1989. Despite widespread architectural acclaim, the Administration Building continued to experience maintenance issues; the roof often leaked, and maintenance costs were 25% higher than at similarly sized buildings. 2000s to present The Administration Building's theater/cafeteria was turned into a conference area around 2001, and the Research Tower was again cleaned that year. Following Sam Johnson's death in 2004, his son Fisk Johnson announced that he would construct a memorial to his father, with a replica of a plane that Sam Johnson had flown to Brazil in 1998. Fisk hired Foster and Partners to design the building, known as "Project Honor", in 2006; Work on the new structure, later known as Fortaleza Hall, began in September 2007. and Fortaleza Hall opened next to the original headquarters campus in January 2010. The S. C. Johnson Gallery, an exhibition space within Fortaleza Hall, opened in 2012. During the early 2010s, S. C. Johnson renovated the tower as part of a $30 million refurbishment project, In 2013, S. C. Johnson announced plans to open the Research Tower to the public for the first time, and two of the tower's floors were restored to their 1950s appearance. The Research Tower opened to the public on May 2, 2014, hosting tours three days a week. For its restoration of the tower, S. C. Johnson received a Spirit Award from the Frank Lloyd Wright Building Conservancy. The Johnson Wax Headquarters was subsequently added to the Frank Lloyd Wright Trail, which was established in 2017. S. C. Johnson retrofitted the headquarters with a geothermal energy system in 2019. In addition, the Waxbird Commons office building opened on the campus in 2021. == Administration Building ==
Administration Building
The Johnson Administration Building was one of three major buildings that Frank Lloyd Wright designed in the 1930s; the other two were Fallingwater in Stewart Township, Pennsylvania, and Herbert Jacobs's first house in Madison, Wisconsin. Similar to Wright's earlier Larkin Administration Building in Buffalo, New York, the Johnson Administration Building was intended to draw occupants' attention inward, rather than outward. The historian Robert McCarter wrote that S. C. Johnson and the Larkin Company both had "enlightened management" who aimed to better their employees' lives, thus making Wright the ideal architect for the Johnson Administration Building. Exterior The original building is designed in a variation of the streamlined Art Moderne style. Wright, who felt that many modern–style buildings were "not really modern", devised plans for a low-lying, streamlined structure. The facade is made of brick, tinted in a Cherokee red hue The bricks were made in 200 distinct shapes. The bricks are alternately laid apart, with blocks of cork placed between the bricks. Concrete was poured into the gaps between the bricks and cork, while steel rods and copper ties were added for reinforcement. Surplus bricks from the project were used in the first Herbert Jacobs House in Madison. For the most part, the building lacks windows and other openings. manufactured by Corning Glass in New York. Two bands of Pyrex tubes cross the facade horizontally: one band approximately above the ground, and the other at the cornice immediately below the roof. and they distort natural light, preventing occupants from looking out into the neighborhood and vice versa. Several diameters of tubes are used. Between the main building and its carport is a driveway for visitors. The hydraulic elevators can carry up to and are operated from an electric control panel in the basement. are embedded into the concrete floor slabs. The heating system, divided into six sectors that could operate independently, By the 21st century, heating was provided by ventilation ducts, while the original heating pipes were used as telecommunications conduits. which are painted a Cherokee red. The great workroom is illuminated by rooftop skylights and by the facade's glass bands, with space for around 200 desks. Tafel described the great workroom as "the first landscaped office" because of the flexible interior layout. a number deliberately selected by Wright to avoid asymmetry. At the bottom of each column is a footer with steel ribs. The columns consist of concrete shells surrounding a hollow shaft, the concrete shells have steel mesh cores for added strength. and ice cream cones. which measures in diameter. There are skylights in the spaces between the calyxes. measuring only tall. Furniture Wright designed the building's furniture, many of which incorporate ovals and curved shapes. Wright created three-legged aluminum chairs, which were color-coded by department and would tip over if its occupants did not have both feet on the ground. After several employees (and Wright himself) fell out of the chairs, the architect designed the "officer's chair", a four-legged variant of the chair. with cutouts for devices such as comptometers and typewriters. == Research Tower ==
Research Tower
Wright also designed the 15-story Research Tower. Sources disagree on the building's exact height; the Council on Tall Buildings and Urban Habitat and a contemporary Journal Times article cite the tower as measuring tall, this would make it Racine's second-tallest extant building behind the Racine County Courthouse. Since there are spandrels only at the full stories, the facade appears to have only eight levels. The Research Tower contains of insulating strips. The main floors were originally used as laboratories, while the mezzanines contained offices. a principle that Wright would later use for his design of the Price Tower in Bartlesville, Oklahoma. As a result, the Research Tower is sometimes likened to a tree Like the Administration Building, the Research Tower's interiors do not have corridors in order to maximize the amount of usable office space. Utilities such as the HVAC system are embedded into the core. There are separate pipes for distilled, cold, and hot water; compressed air; illuminating gas; nitrogen/carbon dioxide; and steam. Alternating current and direct current energy is provided at two voltages. The top of the core contains equipment for the intake and exhaust of cold and hot air. At each story, utility pipes split from the core, running under the floor slabs to the laboratory desks and the exterior walls. Each floor slab is hollow, with ducts, rebar, and steel sheets sandwiched between the two layers of concrete; they taper in thickness toward their perimeters. The floor slabs reached their maximum thickness near the core, where the ceilings measured as low as . Fume hoods for laboratory equipment were installed near the core, and there were ratchets to raise or lower the work surfaces under the hoods. The spaces had no sprinklers, so combustible items were banned from the tower. On each pair of floors, there are air-intake openings on the main floors and air-exhaust vents on the ceilings of the mezzanines. Each story also had an air-intake grille and radiators. The floors themselves originally housed several departments, in addition to a research library, and had built-in furniture. About six researchers could work on each floor. When part of the courtyard was enclosed in a 1957 expansion, the ground-level laboratories were expanded by , while the basement laboratories were expanded by . The annex on Franklin Street measures across, with of space. The Franklin Street annex contains 38 staff offices, two general offices, and a circular room used for meetings. == Impact ==
Impact
Reception Contemporary When the Administration Building was under construction, The Christian Science Monitor described it as a "complete about-face from the skyscraper", citing its streamlined, low-to-the-ground design. The design also led The Journal Times to characterize the structure as an entirely new type of office building. One publication described the tapering concrete columns in the building as having a "fairy-like slenderness", while Time magazine said the Johnson Administration Building "is unlike any other in the world" and was among Wright's best work. After the Administration Building was finished, a writer for The Hartford Courant wrote that Wright has "made us little men feel big", The editor of the Milwaukee Journal likened the "cool, gliding, musical" interior to "a woman swimming naked in a stream". When the tower was finished, one commentator wrote that it was "as soul-stirring as the Colosseum, the Alps, or Sorrento", while The Berkshire Eagle of Pittsfield, Massachusetts, likened the core to a flagpole. while another observer likened the Administration Building to a cathedral. Retrospective American architects deemed the Johnson Wax Headquarters one of "seven wonders of American architecture" in a 1958 survey. The Administration Building and Research Tower received the Twenty-five Year Award from the American Institute of Architects (AIA) in 1974, in honor of the buildings' "design of enduring significance". The AIA also described the two structures as being among seventeen "examples of [Wright's] contribution to American culture". A writer for the Journal Times said in 1993 that the Johnson Wax Headquarters and Wingspread "overshadow the rest of the architecture in Racine County" because they were so well-known. When Hibbert died in 1978, the Herbert F. Johnson Museum of Art's director said that Hibbert's decision to hire Wright "was a daring and courageous action at the time". Michael Kimmelman of The Chicago Tribune wrote in 1986 that the Johnson Wax Headquarters "is without question one of the most remarkable commercial structures ever built". Dale Buss wrote in The Wall Street Journal in 2009 that the headquarters' design had inspired "a form of architectural husbandry" by S. C. Johnson, although he thought the Golden Rondelle Theater's design clashed with the rest of the complex. Wright's biographer Robert Twombly regarded the Administration Building as reflecting an outdated belief that subordinates should be observed by their supervisors. As for the Research Tower, the journalist Brendan Gill described it as being more esthetically pleasing than practical. the building itself received large amounts of publicity after construction began. Time, Life, and Architectural Forum magazines all covered the building while it was under construction, In addition, the company used depictions of the buildings in its trademarks until 1959. The Capital Times estimated in 1962 that revenue from publicity had exceeded the headquarters' construction cost. and Herbert F. Johnson Museum of Art curator Jonathan Lipman published a book about the buildings in 1986. In addition, the headquarters buildings were described in a 30-minute video project called "The Wright Way", filmed in 1994. Landmark designations The buildings were added to the National Register of Historic Places (NRHP) in 1974; although most NRHP listings were required to be at least 50 years old, this rule was waived for both structures. Both buildings were designated as National Historic Landmarks in March 1976, comprising the first National Historic Landmark designation in Racine, as well as Wisconsin's 15th such designation overall. After Racine's city council passed a law in 1974 permitting city-landmark designations, the Administration Building and Research Center were among the first buildings in Racine to be nominated for such a designation; the structures became Racine city landmarks in August 1975. The Johnson Wax Headquarters was and ten other Wright buildings were nominated as a World Heritage Site in 2011, but the Johnson buildings were removed from the nomination at S. C. Johnson's request. Exhibits and architectural influence After the Administration Building was completed, a model of the building was displayed at New York's Museum of Modern Art (MoMA) in 1940. Both the tower and original building were featured in a traveling exhibit of Wright's work in 1951. MoMA also hosted an exhibit about the buildings in 1952, The Herbert F. Johnson Museum of Art sponsored a traveling exhibit about the buildings beginning in 1986. and MoMA also displayed cutaways of the offices in a 1994 exhibit. In addition, the headquarters was detailed in an exhibit by the Racine Heritage Museum in 2002. The designs of the Johnson Wax buildings also influenced Wright and his personal style. According to the historian Vincent Scully, the Administration Building was one of Wright's earliest buildings to incorporate curves, Ultimately, the Johnson Wax Headquarters and the Larkin Building were the only major commercial buildings Wright ever designed. The Johnson buildings helped revive his career, which had stalled in the 1930s. Other buildings have also used design elements inspired by those in the Johnson Wax buildings; for example, Santiago Calatrava's Milwaukee Art Museum building contains tapering columns like those at the Administration Building. == See also ==
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