The album's music is defined by what Brazilian music aficionado Greg Caz called a "patented hard-strummed
4/4 samba groove" that soon "inspired a whole underground movement known as
samba-rock" and characterized Ben's recordings for the next decade. According to
AllMusic's Thom Jurek, Briamonte and Duprat's arrangements on the album are essential to Ben's fusion of American
soul music with the samba and
Brazilian folk song
structures from his past work.
Lyrics Thematically, the album explores romances with women and everyday Brazilian life, including
football fandom. His lyrics are often characterized by zany reflections, repetition, and
nonsense words. As Caz described, "for Jorge, it's not so much about the meaning of the words as it is about their sound. Instead of writing 20 lines, Jorge often preferred to write two that sound very cool and repeat them ten times." Ben offers partly English-language words of caution to his "brother of color" in the song, In the song, he is depicted as an
underworld criminal figure from a Rio favela ("
Robin Hood of the ghetto"). The narrative follows his melancholic departure for prison and his celebrated return to the neighborhood. == Packaging ==