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Ota Benga

Ota Benga was a Mbuti former slave and performer, known for being featured in an exhibit at the 1904 Louisiana Purchase Exposition in St. Louis, Missouri, and as a human zoo exhibit in 1906 at the Bronx Zoo. Benga had been purchased from native African slave traders by Samuel Phillips Verner, a businessman searching for African people for the exhibition, who brought him to the United States and hired him for stagework. While at the Bronx Zoo, Benga was allowed to walk the grounds before and after he was exhibited in the zoo's Monkey House. Benga was placed in a cage with an orangutan, regarded as both an offense to his humanity and a promotion of social Darwinism.

Early life
As a member of the Mbuti people, Ota Benga lived in equatorial forests near the Kasai River in what was then the Congo Free State. His people were attacked by the Force Publique, established by King Leopold II of Belgium as a militia to oppress the Indigenous people and communities, most of whom were used as forced laborers in the extraction and exploitation of Congo's massive supply of rubber. Benga's wife and two children were slaughtered; he survived because he was on a hunting expedition when the Force Publique attacked his village. He was later captured by slave traders from the enemy "Baschelel" (Bashilele) tribe. In 1904, American businessman and explorer Samuel Phillips Verner traveled to Africa, under contract from the Louisiana Purchase Exposition, to bring back an assortment of pygmies to be part of an exhibition. Verner came across Benga while en route to a Batwa pygmy village visited previously. He purchased Benga from the Bashilele slave traders, giving them a pound of salt and a bolt of cloth in exchange. The two spent several weeks together before reaching the Batwa village. The villagers did not trust the muzungu ("white man"). Verner was unable to recruit any villagers to join him for travel to the United States until Benga said that the muzungu had saved his life, and spoke of the bond that had grown between them and his own curiosity about the world Verner came from. Four Batwa, all male, ultimately decided to accompany them. Verner also recruited other Africans who were not pygmies: five men from the Bakuba, including the son of King Ndombe, ruler of the Bakuba; and other related peoples. ==Exhibitions==
Exhibitions
St. Louis World Fair The group was taken to St. Louis, Missouri, in late June 1904 without Verner, as he had been taken ill with malaria. The Louisiana Purchase Exposition had already begun, and the Africans immediately became the center of attention. Benga was particularly popular, and his name was reported variously by the press as Artiba, Autobank, Ota Bang, and Otabenga. He had an amiable personality, and visitors were eager to see his teeth that had been filed to sharp points in his early youth as ritual decoration. The Africans learned to charge for photographs and performances. One newspaper account promoted Benga as "the only genuine African cannibal in America", and claimed that "[his teeth were] worth the five cents he charges for showing them to visitors". The Apache leader Geronimo (featured as "The Human Tyger" – with special dispensation from the Department of War) American Museum of Natural History Benga accompanied Verner when he returned the other Africans to the Congo. He briefly lived amongst the Batwa while continuing to accompany Verner on his African adventures. He married a Batwa woman who later died of snakebite, but little is known of this second marriage. Not feeling that he belonged with the Batwa, Benga chose to return with Verner to the United States. Verner eventually arranged for Benga to stay in a spare room at the American Museum of Natural History in New York City while he was tending to other business. Verner negotiated with the curator Henry Bumpus over the presentation of his acquisitions from Africa and potential employment. While Bumpus was put off by Verner's request of what he thought was the prohibitively high salary of $175 a month and was not impressed by the man's credentials, he was interested in Benga. Benga initially enjoyed his time at the museum, where he was given a Southern-style linen suit to wear when he entertained, but he became homesick for his own culture. In 1992 the writers Bradford and Blume imagined his feelings: What at first held his attention now made him want to flee. It was maddening to be inside – to be swallowed whole – so long. He had an image of himself, stuffed, behind glass, but somehow still alive, crouching over a fake campfire, feeding meat to a lifeless child. Museum silence became a source of torment, a kind of noise; he needed birdsong, breezes, trees. The disaffected Benga attempted to find relief by exploiting his employers' presentation of him as a 'savage'. He tried to slip past the guards as a large crowd was leaving the premises; when asked on one occasion to seat a wealthy donor's wife, he pretended to misunderstand, instead hurling the chair across the room, just missing the woman's head. Meanwhile, Verner was struggling financially and had made little progress in his negotiations with the museum. He soon found another home for Benga. The events leading to his "exhibition" alongside Dohong were gradual: Soon, a sign on the exhibit read: The African Pygmy, "Ota Benga." Age, 23 years. Height, 4 feet 11 inches. Weight, 103 pounds. Brought from the Kasai River, Congo Free State, South Cen- tral Africa, by Dr. Samuel P. Verner. Ex- hibited each afternoon during September. Hornaday considered the exhibit a valuable spectacle for visitors and was supported by Madison Grant, Secretary of the New York Zoological Society, who lobbied to put Ota Benga on display alongside apes at the Bronx Zoo. A decade later, Grant became prominent nationally as a racial anthropologist and eugenicist. African-American clergymen immediately protested to zoo officials about the exhibit. Said James H. Gordon, Our race, we think, is depressed enough, without exhibiting one of us with the apes ... We think we are worthy of being considered human beings, with souls. In defense of the depiction of Benga as a lesser human, an editorial in the New York Times suggested: We do not quite understand all the emotion which others are expressing in the matter. ... It is absurd to make moan over the imagined humiliation and degradation Benga is suffering. The pygmies ... are very low in the human scale, and the suggestion that Benga should be in a school instead of a cage ignores the high probability that school would be a place ... from which he could draw no advantage whatever. The idea that men are all much alike except as they have had or lacked opportunities for getting an education out of books is now far out of date. After the controversy, Benga was allowed to roam the grounds of the zoo. In response to the situation, as well as verbal and physical prods from the crowds, he became more mischievous and somewhat violent. Around this time, an article in the New York Times quoted Robert Stuart MacArthur as saying, "It is too bad that there is not some society like the Society for the Prevention of Cruelty to Children. We send our missionaries to Africa to Christianize the people, and then we bring one here to brutalize him." Toward the end of 1906, Benga was released into Reverend Gordon's custody. ==Later life==
Later life
Gordon placed Benga in the Howard Colored Orphan Asylum, a church-sponsored orphanage in Brooklyn that Gordon supervised. As the unwelcome press attention continued, in January 1910, Gordon arranged for Benga's relocation to Lynchburg, Virginia, where he lived with the family of Gregory W. Hayes. He adopted the name Otto Bingo during his residence there. in order to improve his English, and began to attend elementary school at the Baptist Seminary in Lynchburg. ==Death==
Death
In 1914, when World War I broke out, a return to the Belgian Congo became impossible as passenger ship traffic ended. Benga became depressed as his hopes for a return to his homeland faded. Benga was buried in an unmarked grave in the black section of the Old City Cemetery, near his benefactor, Gregory Hayes. At some point, the remains of both men went missing. Local oral history indicates that Hayes and Benga were eventually moved from the Old Cemetery to White Rock Hill Cemetery, a burial ground that later fell into disrepair. Benga received a historic marker in Lynchburg in 2017. ==Legacy==
Legacy
Phillips Verner Bradford, the grandson of Samuel Phillips Verner, together with author Harvey Blume wrote a book on Benga, entitled Ota Benga: The Pygmy in the Zoo (1992). During his research for the book, Bradford visited the American Museum of Natural History, which holds a life mask and body cast of Ota Benga. The display is still labeled "Pygmy", rather than indicating Benga's name, despite objections beginning a century ago from Verner and repeated by others. Publication of Bradford's book in 1992 inspired widespread interest in Ota Benga's story and stimulated creation of many other works, both fictional and non-fiction, such as: • 1994 – John Strand's play, Ota Benga, was produced by the Signature Theater in Arlington, Virginia. • 1997 – The play, Ota Benga, Elegy for the Elephant, by Dr. Ben B. Halm, was staged at Fairfield University in Connecticut. • 2002 – The Mbuti man was the subject of the short documentary, Ota Benga: A Pygmy in America, directed by Brazilian Alfeu França. He incorporated original movies recorded by Verner in the early 20th century. • 2005 – A fictionalized account of his life portrayed in the film Man to Man, starring Joseph Fiennes, Kristin Scott Thomas. • 2006 – The Brooklyn-based band Piñataland released a song titled "Ota Benga's Name" on their album Songs from the Forgotten Future Volume 1, which tells the story of Ota Benga. • 2010 – The story of Ota Benga was the inspiration for a concept album by the St. Louis musical ensemble May Day Orchestra • 2012 – ''Ota Benga Under My Mother's Roof'', a poetry collection, was published by Carrie Allen McCray, whose family had taken care of Benga • 2012 – Ota Benga the Documentary Film appeared • 2015 – Journalist Pamela Newkirk published the biography Spectacle: The Astonishing Life of Ota Benga • 2016 – Radio Diaries, a Peabody Award-winning radio show, tells the story of Ota Benga in "The Man in the Zoo" on the Radio Diaries podcast. • 2019 – The University of Alabama at Birmingham adapted Ota Benga's story into the musical Savage. • 2019 – Williamstown Theatre Festival premiered A Human Being, of a Sort, a play based on Ota Benga's story, written by Jonathan Payne. • 2020 – The Wildlife Conservation Society, operator of the Bronx Zoo, apologized for the zoo's treatment of Benga and promotion of eugenics. ==Similar case==
Similar case
, a Native American who has been compared to Benga Similarities have been observed between the treatment of Ota Benga and Ishi, the sole remaining member of the Yahi Native American tribe, who was displayed in California around the same period. Ishi died on March 25, 1916, five days after Ota's death. ==See also==
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