Bohemian Club, San Francisco Symphony, and other San Francisco activities Redding became a prominent figure in musical and social circles in San Francisco. In 1883, at a time when San Francisco had no resident orchestra, he was on the governing board of a music festival which brought conductor
Theodore Thomas and his orchestra to the city. In 1886 he was elected president of the San Francisco Arts Administration. Redding was a friend of composer and conductor
Henry Kimball Hadley, and it is largely through Redding's advocacy that Hadley was appointed the first music director of the San Francisco Symphony in 1911. Hadley tasked Redding with finding the San Francisco Symphony's first concertmaster, and accordingly Dutch violinist Eduard Tak was hired following Redding's recommendation. Redding wrote the libretto for Hadley's 1912 musical
The Atonement of Pan, another work created for performance by the BC.
Henry A. Melvin, an associate justice of the
Supreme Court of California, was a member of the BC and a talented amateur performer in the BC's musical entertainments. Melvin recorded the song "Noon and night" from
The Atonement of Pan for
Victor Talking Machine Company ("Victor") in 1913.
Natoma as Natoma (1911) in the original production Redding wrote the libretto to the 1911 opera
Natoma by composer
Victor Herbert which starred
Mary Garden in the title role at its premiere. The opera premiered at the
Metropolitan Opera House in Philadelphia. This was followed by further performances at the
Metropolitan Opera in New York.
Andreas Dippel's opera company also toured the work nationally for performances in more than thirty American cities. Reviews for Redding's libretto were harsh, particularly by the New York press. Opera scholar Elise Kuhl Kirk dismissed criticisms of Redding's libretto, stating that "such harsh diatribe was unfounded and no doubt illustrated American critics' unwillingness to accept the new verismo literature as viable opera. Perhaps what they missed was operatic thunder, as in the work of Verdi, Wagner, and Puccini. What they got was closer to Viennese operetta with recitative." Despite negative reviews,
Natoma was more warmly received by audiences and had a better overall popular reception. The aria "Spring Song" proved popular enough that it was later recorded twice for Victor by sopranos
Lucy Isabelle Marsh and
Alma Gluck.
Fay Yen Fah, "Song to Hawaii", and other compositions Redding composed the music to the 1917 musical
The Land of Happiness. premiered at the
Monte Carlo Opera in February 1925. It was the first
grand opera composed by an American to have its premiere in Europe, Tenor John McCormack recorded his song "Sweet Peggy O'Neil" for Victor in 1920. In the year Redding published this song, Hawaiian-themed music dominated the market in
sheet music sales by America's music publishing empire,
Tin Pan Alley. Despite Redding's lack of connection to the state, the
music editor for "Song to Hawaii",
Charles E. King, was from Hawaii, and the work was recorded by several musicians who were either Hawaiian or specialized in performing Hawaiian music. These included separate recordings made by the Hawaiian entertainers
Johnny Noble (with the Olympic swimmer and musician
Samuel Kahanamoku),
Keaumoku Louis,
Prince Lei Lani, and
Frank Ferera; the latter of whom recorded the work with guitarist
Anthony Franchini. The song was also recorded by vaudeville entertainers Wright & Dietrich (Horace Wright and Rene Dietrich), who later became more closely associated with jazz. Johnny Noble also recorded Redding's song "The Winds from Over the Sea" in 1929. ==Family life and death==