Joza Lovrencic

Lovrenčič was born in Kred (municipality of Kobarid). He attended secondary school in Gorizia and studied Slavic studies and Latin at the University of Graz, completing a doctorate on 12 January 1915. Between 1914 and 1916 he taught at the Gorizia gymnasium and, during the wartime relocation, at courses for the Slovene gimnazija in Trieste. In 1919 he represented the Goriška region in the provisional national body in Belgrade and served as a delegate to the Paris Peace Conference (November–December 1919). Second World War After the fall of Fascism and the establishment of the Operationszone Adriatisches Küstenland, in 1944–1945 he was appointed headmaster of the Slovene gymnasium in Gorizia when the institution was re-opened in the city; he also engaged in local cultural activities and wrote for the weekly Goriški list. == Literary career ==

Lovrenčič began publishing in Vrtec, Slovan, Omladina and, regularly, in Dom in svet. His poetics moved from Impressionism to free verse with condensed, chromatic and spiritually inflected imagery; Deveta dežela (Trieste, 1917) is often named as the first Expressionist poetry collection in Slovene. He also wrote historical and legend-based prose, including Publius in Hispala (Ljubljanski zvon, 1927), Pereči ogenj. Povest izpod Jamnika (1928) and Tiho življenje (1931). Translations and philology Beyond adaptations for young readers (Collodi, Jón Sveinsson, Zane Grey), between 1950 and 1952 he prepared a complete translation of Ovid’s Metamorphoses. Long unpublished, it has been appearing since 2017 with critical apparatus in Keria. Parts issued to date include books 13–15 (2017), 10–12 (2018) and 7–9 (2018). The discovery and editing of the manuscript has been analysed by David Movrin. == 1946 trial, pardon and postwar library purges ==

regarding Lovrenčič’s conviction. Vovko family archive (Wikimedia Commons). In 1946 Lovrenčič was prosecuted by the new Slovene authorities for his political role in Gorizia during 1944–1945—particularly his headship of the gymnasium under German administration—and sentenced to two years’ imprisonment; he was pardoned later that year. Despite the pardon, he was not publicly rehabilitated. Within the wider context of censorship and the post-1945 "cleansing" of libraries, his works were removed from open access and he was excluded from teaching and editorial work. == Selected works ==

; Poetry and epic • Deveta dežela (Trieste: J. Štoka, 1917). • Tri božje poti (Ljubljana, 1944). • Pereči ogenj. Povest izpod Jamnika (Gruda, 1928). • Tiho življenje (Ljubljana: Mladinska matica, 1931). ; Correspondence and editions • Ves vaš ljubeči očka. Pisma hčerki Nini (1919–1952) (ed. Rozina Švent; Celje/Gorica: Celjska & Goriška Mohorjeva družba, 2010). == Reception and legacy ==

Criticism has emphasised his passage from Impressionism to a religiously inflected Expressionism, his use of free verse and the scale of his epic design. Recent studies have discussed classical intertextuality and macaronic Latin in Sholar iz Trente. The posthumous publication of his Ovid has renewed interest in his philological and literary legacy. == Controversies ==

Debate has focused on his wartime headship of the Gorizia gymnasium (1944–1945) and the political nature of the 1946 trial. Although pardoned in the same year, administrative measures persisted (withdrawal of works and professional marginalisation) as part of cultural policy in socialist Yugoslavia. == Images ==

Joža Lovrenčič.jpg|Portrait of Joža Lovrenčič. Joža Lovrenčič 1940s.jpg|Lovrenčič in the 1940s Mladikarji pri Finžgarju.jpg|Literary gathering (pre-1945). Middle row: France Koblar, Lojze Remec, Joža Lovrenčič, Butkovič-Domen, France Zabret, Tine Debeljak and France Stele Krajevni odbori OF o Lovrenčičevi obsodbi leta 1946.jpg|OF circular (1946) on Lovrenčič's criminal case. Vovko family archive == See also ==