Jules Joseph Lefebvre

Lefebvre was born in Tournan-en-Brie, Seine-et-Marne, on 14 March 1836. He entered the École nationale supérieure des Beaux-Arts in 1852 and was a pupil of Léon Cogniet. ==Career==

He won the prestigious Prix de Rome with his The Death of Priam in 1861. Between 1855 and 1898, he exhibited 72 portraits in the Paris Salon. Many of his paintings are single figures of beautiful women. Among the portraits of his considered the best were those of M. L. Reynaud and the Prince Imperial (1874). Lefebvre is chiefly important as an excellent and sympathetic teacher who numbered many Americans among his 1500 or more pupils. Among his famous students were Fernand Khnopff, Kenyon Cox, Félix Vallotton, Ernst Friedrich von Liphart, Georges Rochegrosse, the Scottish-born landscape painter William Hart, Walter Lofthouse Dean, and Edmund C. Tarbell, who became an American Impressionist painter. Another pupil was the miniaturist Alice Beckington as was Laura Leroux-Revault, the daughter of his friend Louis Hector Leroux. Jules Benoit-Lévy entered his workshop at the École nationale supérieure des Beaux-Arts. '' Lefebvre died in Paris on 24 February 1911 and was buried in the Montmartre Cemetery with a bas-relief depiction of his painting La Vérité on his grave. ==Significant milestones==

• 1853 Student at the École des Beaux-Arts • 1859 Second place Prix de Rome • 1861 His Death of Priam wins the Prix de Rome • 1870 Académie Julian professor • 1870 Légion d'honneur, Officer, named Commander from 1898 • 1891 Member of the Académie des Beaux-Arts ==Selected works==

's 1852 novel Graziella)|alt=Oil painting of a young woman in a long, flow dress, sitting on a rock by a cliff and looking wistfully out to sea. Her right wrist has a manacle on it, and her hands play with a long length of chain beside her. • 1861 The Death of Priam (won the Prix de Rome), École nationale supérieure des Beaux-Arts, Paris • 1861 Diva Vittoria Colonna • 1863 Boy Painting a Tragic Mask • 1864 Roman Charity • 1865 ''Portrait d'Antonio, modèle italien'' • 1866 Cornelia, Mother of the Gracchi • 1868 Reclining Nude, Musée d'Orsay • 1869 Le Réveil de Diane • 1869 Portrait of Alexandre Dumas • 1870 La Vérité (The Truth), Musée d'Orsay • 1870s Jeune femme à la mandoline (Girl with a Mandolin) • 1870 Portrait du Prince Impérial • 1872 Pandora • 1872 La Cigale, National Gallery of Victoria (Exhibited Salon, Paris, 1872, no. 970; collection of Milton Latham (1827–82), San Francisco, before 1878; by whom sold, New York, 1879; collection of Daniel Catlin, St Louis, Missouri, 1879–1893; by whom gifted to the St Louis Museum of Fine Arts, 1893–1945; deaccessioned and sold, c. 1945; collection of Julian Sterling, Melbourne, by 1984–2005; from whom purchased for the Felton Bequest, 2005.) • 1874 Odalisque • 1874 Slave Carrying Fruit (Ghent Museum) • 1874 Portrait of Eugène Louis Napoléon Bonaparte • 1875 Chloé, Young and Jackson Hotel, Melbourne • 1876 Mary Magdalene in the Cave, Hermitage Museum, Saint Petersburg • 1877 Pandora • 1878 Mignon, Metropolitan Museum of Art, New York • 1878 Graziella, Metropolitan Museum of Art, New York • 1879 Diana • 1879 Diana Surprised, Museo Nacional de Bellas Artes, Buenos Aires • 1880 Portrait of Julia Foster Ward, Museum of Fine Arts, St. Petersburg, FL • 1880 Housemaid, Pera Museum, Istanbul • 1881 La Fiametta from Giovanni Boccaccio • 1881 Ondine, Museum of Fine Arts, Budapest • 1882 Pandora (II) • 1882 Japonaise (A Japanese woman) • 1883 Psyché • 1884 The Feathered Fan • 1884 Portrait of Edna Barger, private collection • 1890 Lady Godiva • 1890 Ophelia • 1892 A Daughter of Eve • 1892 Judith • 1896 Portrait of a Lady (II) • 1898 Amor beim Schärfen seiner Pfeile (Love sharpening its arrows) • 1901 Alexander Agassiz • 1901 Yvonne (formerly Musée du Luxembourg), Portrait of Lefebvre's daughter File:Clemence Isaure.jpg|alt=Oil painting of a woman from the torso up, facing left. She wears a golden laurel wreath in her long, flowing hair, and holds a scroll and sprig of yellow flowers in her left hand.|Clémence Isaure File:JULES LEFEBVRE - La Cigale (National Gallery of Victoria, Melbourne, 1872. Óleo sobre lienzo, 186.7 x 123.8 cm).jpg|The Grasshopper, 1872 File:1879 Jules Joseph Lefebvre - Diana surprised.jpg|Diana Surprised, 1879 File:Lady godiva full.jpg|alt=Oil painting of a naked woman on a horse being lead by a woman in servant's clothing along a street lined with tall, Tudor style buildings. The street is otherwise deserted, except for three doves which fly near the women.|Lady Godiva, 1890 File:La Vérité, par Jules Joseph Lefebvre.jpg|alt=Oil painting of a naked woman standing, facing the viewers. Her right hand extends above her head, holding a golden mirror, her left hand seems to be holding a stick or staff, and her right leg is bent, shifting weight onto her left hip.|La Vérité, 1870 File:Jules Lefèvre Vittoria Colonna.jpg|alt=Oil painting of a woman with long hair and a puffy white dress looking pensively at the viewers. She wears a golden laurel wreath and a gold pendant with a long chain around her neck.|Vittoria Colonna, 1861 File:Odalisque by Jules Lefebvre (1874).jpg|Odalisque, 1874 File:Psyché by Jules-Joseph Lefebvre.jpg|Psyché, 1883. File:Vestale endormie by Jules-Joseph Lefebvre.jpg|Sleeping vestal virgin, 1902 File:Lefebvre, Jules Joseph — Sappho — 1884.jpg|Sappho 1884 ==Undated works==

• Clémence Isaure • Fleurs des Champs • ''L'Amour Blessé'' (Wounded Love) • La Fiancée • Mediterranean Beauty • Nymph with Morning Glory Flowers • Portrait of a Lady • Portrait of a Woman • Woman with an Orange • Young Woman with Morning Glories in Her Hair ==See also==