Julian Opie’s artwork is similar to pop art. Portraits and animated walking figures, rendered with minimal detail in black line drawing, are hallmarks of the artist's style. His themes have been described as "engagement with art history, use of new technology, obsession with the human body" and "work with one idea across different media". Similarly, the national art critic of
The Australian,
Christopher Allen, laments Opie's "limited repertoire of tricks" and described his work as "slight and ultimately commercial, if not actually kitsch". When asked to describe his approach, Opie said "I often feel that trying to make something realistic is the one criterion I can feel fairly sure of. Another one I sometimes use is, would I like to have it in my room? And I occasionally use the idea, if God allowed you to show Him one [portrait] to judge you by, would this really be it?" In 2007, the four-sided LED sculpture
Ann Dancing was installed in
Indianapolis, United States, as the first artwork on the
Indianapolis Cultural Trail. Opie has also created a monument to singer
Bryan Adams.
Commissions One of Opie's most notable commissions was the design of
an album cover for British pop band Blur in 2000, for which he received a Music Week CADS award. In 2006, he created an LED projection for
U2's Vertigo world tour, and in 2008 Opie created a set design for
Wayne McGregor's ballet
Infra for the
Royal Opera House in London. In 2010, he was commissioned by the
National Portrait Gallery, London, to create a portrait of the inventor and engineer
Sir James Dyson, titled
James, Inventor. In 2019, for his former school Magdalen College School, Oxford, he created a digital screen showing two children in school uniform running. ==Public collections==