Jun Yang's work includes video, film, sculpture, installations, performance art, and interior and public space design. Beginning in 1997, Yang undertook a series of performance pieces titled
As I Saw in Vienna, Cahors (1999), Paris (2000), Wolfsburg (2000), Leipzig (2001), and Stockholm (2002). For each performance he chose an image from a local newspaper and recreated it out of newsprint in a gallery space. He also shot a series of photo booth performances including
As I Saw (Photo booth) (1997) and
from salariiman to superman (1997). Works such as
Soldier Woods (2002),
Mail for... (2006), and
Jun Yang meets Jun Yang (2015) dealt with questions of language, naming, and identity. Works such as
Paris Syndrome (2007) addressed issues of desire and alienation in modern exurban China and elsewhere. Many of his projects incorporate architecture and space design, such as
GfZK Garden (2006),
Cafe Paris Syndrome (2007),
Hotel Paris Syndrome (2011), and
a proposal for a public space - a cinema (2012). In 2009, Yang co-founded the Taipei Contemporary Art Center. Yang published the first three volumes of
The Monograph Project in 2015, and the second three volumes in 2018. The project covered 18 years of the artist's work, and was completed with two principle collaborators, the curator
Barbara Steiner and the designer Oliver Klimpel. In 2018,
Art Sonje Center in Seoul held a solo exhibition for Yang, titled
The Overview Perspective. In January 2019, Yang participated in a panel discussion at the
Museum of Applied Arts, Vienna with
Ai Weiwei,
Uli Sigg, and
Ying Miao. In February 2019,
Kunsthaus Graz opened a major retrospective of Yang's work, titled
The Artist, the Work, and the Exhibition, which also included work by
Mike Kelley,
Paul McCarthy,
Bruce Yonemoto, Koki Tanaka,
siren eun young jung, Lee Kit, and others. Yang is a member of Vienna Secession, and was elected to its board in 2021. He is represented by
Vitamin Creative Space (Guangzhou), ShugoArts (Tokyo), and Galerie Janda (Vienna). == References ==