Blót, feasting and drinking ,
British Museum. In medieval Scandinavia,
blót often took place during Yule celebrations, whereby animals were sacrificed to the gods and their meat cooked and shared among those present. This was typically accompanied by ceremonial drinking of ale or mead. Communal eating was central to Yule, which is seen in the use of in
skaldic poetry to mean 'feast' in the
kenning for 'battle': ('a raven's (Yule) feast'). ("Yule-feasts") are also widely attested in medieval Old Norse accounts of pre-Christian celebrations, including the Yule-feast of King
Halfdanr svarti in his
eponymous saga, where all the food and ale was made to disappear by a
Sámi man. Another notable example is in
Hákonar saga góða, where
Hákon the Good is forced to take part in
blót-feasts in
Mære and
Lade, including eating meat from the
sacrificed horses, as part of his responsibilities as a king. Yule has further been identified by some scholars with the ("
elf-blót") recorded in
Ólafs saga helga, though this has been rejected by others as were likely held in autumn, not winter. Drinking ceremonies also likely took place at Yule, consistent with their prominence in
Germanic paganism more widely. Early evidence of this is found in
Þorbjǫrn hornklofi's
Haraldskvæði, written around 900 CE, where
Harald Fairhair "drinks Yule", or "drinks to Yule": Here, "drinking Yule" seems to be synonymous with celebrating it. At the feast in Mære, King Hákon also drinks toasts that were poured for him, consistent with the importance of ritual drinking at Yule. The importance of drinking at Yule is likely reflected in surviving customs after Christianisation.
Den ældre Gulathings-Lov, an early law code from Norway, imposes punishments for incorrect preparation of ale for ('Yule' or 'Christmas'). The required practices include brewing in groups, unless one lives very remotely, and hallowing the ale to thank
Christ and
St Mary ("for prosperity and peace") - a ritual formula that likely originated in heathen contexts. This has been interpreted as an example of missionaries Christianising a heathen custom by replacing heathen gods with Christian figures. Furthermore,
Hákonar saga góða says that in King Hákon's effort to Christianise Norway, he shifted Yule to Christmas time. He also imposed a fine on anyone who did not have a measure of ale at Yule (estimated to be around 16.2 litres), and made it law for the holiday to continue as long as the ale lasted.
Heitstrenging The swearing of solemn vows, , on Yule-Eve are attested in
Helgakviða Hjörvarðssonar and
Hervarar saga ok Heiðreks, the first of which reads:
Hervarar saga ok Heiðreks similarly takes place on Yule-Eve and describes people placing their hands on a pig referred to as a before swearing solemn oaths at the ('toast', 'libation'). Some manuscripts of the text explicitly refer to the pig as holy, that it was devoted to
Freyr and that after the oath-swearing it was sacrificed at a .
Games and performances in
Kyiv. Games during Yule are widely attested in the Old Norse record, including
glíma in
Króka-Refs saga,
knattleikr in
Hálfdanar saga Eysteinssonar and
tug-of-war in
Hjálmþés saga ok Ölvis. Performances and plays, possibly such as those depicted on the
Sutton Hoo helmet, may also have been connected to the pre-Christian festival. The earlier discussed stanza from
Haraldskvæði uses the term "
Frey’s ", which may be a Yuletide ritual dedicated to the god. , and the verb , typically refer to an activity such as a "game", "dramatic performance" or "dance" . The phrase is, however, also used in the later
Ragnars saga loðbrókar as a kenning for battle and this may be the meaning intended in
Haraldskvæði. This interpretation has alternatively been suggested to be a misunderstanding of the earlier meaning. Furthermore, is cognate with , which has diverse meanings from 'play', 'sacrifice', 'gift' and 'battle'. A further possible attestation is the
gothikon, a performance described in the 10th century
Byzantine Book of ceremonies as taking place on
Twelfth Night. The performance consisted of two groups of men, each performing a circle dance, one circle inside the other, while accompanied by two pairs of men wearing masks and skins. Throughout the dance, the performers hit their shields with sticks, while shouting "Toúl" ("τούλ"). This word's meaning is debated but is widely identified as a misspelling or misunderstanding of ("Yule"), and the performance as part of a Yule tradition. While the text identifies the dancers as
Goths, these are not elsewhere attested in
Constantinople after around 500. It is possible they were instead Scandinavians, possibly from
Gotland or
Götaland, who are widely attested as
Varangians. This description has been noted for its similarity to a
fresco of two fighting warriors on the ceiling of
St Sophia Cathedral in
Kyiv. One has a round shield and an
Dane axe, likely intended of a visual marker of their identity as a Varangian and a Scandinavian elite. The other fighter has the head of a dog, possibly a mask like in the
Book of ceremonies, that may derive from heathen religious dramas connected to . Notably, two felt animal masks dating to the 10th century have been discovered in
Hedeby.
Supernatural visitations Yule visits from supernatural beings, such as , trolls and undead , are widely attested across Northern Europe in modern folklore. Given their early attestations, without clear Christian underpinnings, it has been proposed such ideas were present before Christianisation. An early account of these visits is in
Eyrbyggja saga, in which the farm on
Breiðafjörður in
Iceland is taken over by ghosts of those who have died both at land and sea. This motif is also seen with the arrival of the half- Green Knight in the
Sir Gawain and the Green Knight and in later tales, such as the balads of
Åsmund Frægdegjeva and
Steinfinn Fefinnson. Often the visits result in conflict, as in
Grettis saga, in which Grettir beheads the undead shepherd Glamur, who had been haunting the area at Yule. Another Yule, a troll-woman who was attacking a hall is driven back to her waterfall home by Grettir, who then kills her. This section of the saga closely resembles tales such as the Old English poem
Beowulf and is likely part of a shared tradition. Strong similarities are also seen between these tales and folktales recorded in the 18th century in Iceland, such as
Sagan af Grimi Skeljungsbana. Changes are seen over time, however, with an overall shift from the hero defeating the visitor with his own strength, to relying on external factors like calling on
Jesus or the light of dawn. Furthermore, there is a general increase in the number of invading beings and in Iceland, they are
huldufólk or elves, rather than the older trolls and ghosts.
The Wild Host ,
Gotland. A specific type of supernatural visitations that have been connected to the heathen Yule and the winter solstice is the
Wild Host (or Wild Hunt). This is a constructed academic category for a diverse collection of traditions found throughout North-Western Europe for groups of supernatural beings travelling across the landscape, often in winter or around Christmas. Names for these customs vary greatly between regions, including the Norwegian , ("the yule host"), ("The yule/Christmas ride") and ("the Yule lads"). Traits of the variants are largely independent of the name of the host or its leader. The beings of the host are often noisy and harmful dead, but may also include goats (in particular ("the Yule billy-goats"). According to folktales, as they travel through the land, they invade farms in their way, stealing Christmas food, Christmas ale, and sometimes even people or horses. Taken horses are almost ridden to death while people may be thrown down after a time, either where they were abducted or far away. In the 20th century, tar crosses were painted on farmhouse doors in Western Norway for protection against them. The host is variously led by a diverse range of figures, for example the figures from
Germanic heroic legend,
Sigurd Svein and
Guro Rysserova. In several regions of northern Europe,
Odin leads the hunt (or the similar or ). Old Norse sources also describe Odin and his group in a way that closely resembles almost all aspects of Wild Host traditions, such as his leading of a host of the dead
einherjar, along with
valkyrjur, who collect the newly dead. Odin is recorded as stealing Yule food in
Flateyjarbók's
Haralds þáttr hárfagra, similar to in later accounts of the host. Furthermore, he is often equated in historical sources with
Mercury, a Roman god who has a role in
guiding the dead to the afterlife. Odin's role as leader of the Wild Host may be the origin of his name, which literally means "lord of frenzy" or "leader of the possessed". Similar to Norwegian traditions of leaving out food and drink for the Wild Host, in Southern Scandinavia, the last sheaf cut in harvest or grass during haying would be left for Odin's horse or horses around Christmas.
Guising The supernatural host cannot be separated neatly from the interlinked tradition of hosts of costumed humans travelling the countryside around Yule or Christmas and performing similar acts recorded in the modern period. The ambiguity between the two groups is seen for example in how the supernatural host is sometimes flying in the sky but could also walk along roads as the guised humans would. The costumed figures could also be the same as those in the supernatural host, for example the ("Yule-goat"), in which the top half of the guiser was dressed as a goat. Other figures include the ("strawmen"), who were wrapped in straw or corn. Similar to the supernatural host, they often travelled between buildings, variously grunting like animals, singing, dancing and being given food and drink. Guisers sometimes would jokingly whip with brushwood those who refused to give them what they demanded. Sometimes these offerings were nearly compulsory, with the visitors not leaving until a "tax" had been paid. The figures could also have sexual facets, sometimes having penises as part of the costume and kissing young men and women. In one account from
Trøndelag, the became so angry they butted people with their horns and it was said the first person each one butted was to become their wife. These traditions resembles those of the
Sámi Stallo, an ugly costumed figure who would poke girls with a stick (sometimes shaped like a penis) until he was paid to leave. The origins of such practices are debated. Some visitations have clear Christian imagery, such as the in which the figures are the
Three Kings bearing a star, while others lack obvious Christian or foreign influence. The traditions also developed over time, and between regions, with figures such as the never being homogenous throughout Scandinavia. An early attestation of a practice resembling late guising traditions is given in
Þorleifs þáttur jarlsskálds, found in the late 14th century
Flateyjarbók manuscript. It tells how one Yule in heathen times, the skald Þorleifur visits the Norwegian ruler
Hákon Jarl at a feast to get revenge on him for a previous insult. To avoid being recognised, he goes disguised as a food beggar, wearing a goat beard, placing a leather bag behind it, and using crutches such that he walked on all four legs. When the jarl invites him to eat, he secretly puts the food into the leather bag rather than his mouth, before saying a ritual curse to Hákon which makes him lose hair from his head. Though the disguise traditions are typically attested late, they do closely resemble visitations by figures such as ,
groleks and
skeklers that may in turn have roots heathen ritual dramas and are found across a large geographical area, including Shetland, Iceland and Sweden. Similar to the , people dressed as these figures sometimes spoke in reverse speech, in which sound is made while breathing in, and could have a wooden penis as part of the costume. Notably, is attested in 13th century sources such as the
Prose Edda's
þulr of
troll-women,
Íslendinga saga and
Sverris saga. Comparisons have also been drawn between these customs, particularly those of straw figures, and
Freyr, who in
Gunnars þáttr helmings travels around Sweden in winter between farms, partaking in feasts and ensuring good harvests. ==Academic reception==