MarketDance of the Vampires (musical)
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Dance of the Vampires (musical)

Dance of the Vampires is a musical adaptation of the 1967 Roman Polanski film. Polanski also directed the musical’s original German-language production. The music was composed by Jim Steinman, orchestrated by Steve Margoshes, and Michael Kunze wrote the original German book and lyrics.

Plot
Note: This synopsis applies to European and Japanese productions only. The Broadway version was heavily rewritten. In addition, portions of this synopsis may reflect later changes to the European show, which will become clear when reading the song list below. Act I Sometime in the early 20th century, Professor Abronsius and Alfred, his bumbling young assistant, arrive in a small Jewish shtetl somewhere in the Carpathians, where they hope to prove the professor's theory that vampires exist. Nearly freezing to death in the nearby woods (He, Ho, He), the two are taken in by Chagal, an innkeeper who spends most of his free time lusting after Magda, his beautiful chambermaid, much to the disdain of his long-suffering wife, Rebecca ( – "Garlic"). The professor, upon noticing the countless strings of garlic hung about the place and around people's necks, is overjoyed, confident of the nearness of his goal, and immediately starts probing Chagal for information. The villagers, evidently frightened, pretend to be completely oblivious, silencing the local fool, who still manages to blurt something about the castle and the count that lives there. After exploring the rooms upstairs in which they are staying ( – "Please, Gentlemen"), Alfred discovers and is smitten by Chagal's beautiful 17-year-old daughter, Sarah. Chagal is very protective of his child, going as far as boarding up her room so she wouldn't bathe around the two guests ( – "A Beautiful Daughter is a Blessing"). That night, Alfred and Sarah sing of their mutual attraction, while Chagal tries to coerce his way into Magda's bed and Abronsius is swiftly knocked on the head by Chagal's wife ( – "Never Seen"). Unbeknownst to Alfred, late at night Sarah is serenaded by a mysterious stranger, who promises her eternal life and power ( – God is Dead"). The next morning, the Professor bears witness to a small business exchange between Chagal and Koukol, a hideous hunchback living somewhere in the woods ( – "Everything's Bright"). He inquires about the odd man ( – "truth"), but Chagal refuses to discuss the matter. That same night, Sarah tricks Alfred into giving up his bath for her ( – "You're Really Very Nice") and as she joyfully soaps her sponge, Count von Krolock, an aristocratic vampire, breaks into the bathroom from the roof above and invites her to a midnight ball at his castle ( – "Invitation to the Ball"). He is about to bite the girl, but Alfred, who has been spying on Sarah's bathing ritual, screams for help. Chagal and Rebecca arrive, furious. Sarah's father spanks her and forbids her to ever go outside. However, later that night, Koukol arrives at the inn and leaves a red bundle for Sarah on the doorstep. She sneaks outside and discovers it to be a pair of expensive red boots. Alfred comes outside as well and professes his love to her ( – "Outside is Freedom"). The two plan on running off together and Sarah asks Alfred to go back into the house to fetch her sponge. With Alfred gone, Sarah fantasizes about the fantastical, romantic vampire ball she could be missing and decides to accept the Count's invitation ( – "Stronger Than We Are"). She runs off into the woods. Alfred starts to panic, Chagal and Rebecca rush outside, but it's too late and Sarah's gone. Chagal wraps himself in garlic and runs into the woods after his daughter. The next morning, Chagal's frozen body is found; Rebecca is devastated ( – "Mourning for Chagal"). Professor Abronsius discovers small puncture wounds all over the body, but the villagers, still in denial, incorrectly assume they came from wolf bites. The Professor hands Rebecca a wooden stake and explains she must puncture Chagal's heart in order to prevent him from becoming a vampire. Hysterical, Rebecca chases him and Alfred out of the room, covering her husband with a bed sheet and swearing that she would never let anyone violate his corpse. In the middle of the night, Magda sneaks downstairs to look at Chagal's corpse, expressing mixed feelings about his death ( - "To be Dead is Strange"). Suddenly, Chagal sits up, now a vampire. Magda tries to fend him off with a crucifix, but being a Jewish vampire, he manages to overpower her and feed on her blood, killing her in the process. Alfred and the Professor sneak into the room as well, planning to stake Chagal, but they find Magda's body there instead. A chase ensues and the two finally corner Chagal, who begs for mercy and promises to show them the route to the vampire's castle where his daughter supposedly is held if he's spared. Chagal leads the two heroes to a giant castle in the woods ( – "Through the Wilderness to the Castle"), where they are greeted by the mysterious Count von Krolock and his flamboyant son Herbert, who is instantly attracted to Alfred ( – "In Front of the Castle"). Von Krolock invites the two men into his domain and the two reluctantly accept his invitation. Act II Sarah is now at Count von Krolock's castle, wandering the dark empty halls and considering what her relationship with the Count truly is. The Count appears to welcome her and manages to resist biting her, planning to save her for the ball the next night ( – "Total Eclipse"). At the same time, Alfred is asleep with the Professor in a guest bedroom in another part of the castle, suffering from terrifying nightmares, with one nightmare in which he loses Sarah to the bloodthirsty vampires ( - "Seize the Night"). The next morning, Alfred wants to find Sarah and flee the castle ( – "A Perfect Day / For Sarah"), but Professor Abronsius is more concerned with staking Von Krolock and Herbert. Alfred and the Professor make their way to the crypt ( – "In the Crypt"), where they locate the two vampires. The Professor becomes stuck on a banister as he attempts to get into the crypt and assigns Alfred to kill von Krolock and his son, but Alfred can't bring himself to drive a stake through their hearts. Before the Professor can think of something else, he hears a noise and the hapless duo flee the crypt just as Chagal arrives with Magda's coffin. Magda climbs out, now a vampire, and finally concedes to having a sexual relationship with Chagal. Alfred and the Professor continue searching the castle and separate in the library ( – "Books, Books"). Alfred comes across a small bedroom where he finds Sarah in the bathroom, apparently unharmed. Alfred begs for her to leave, but Sarah refuses, saying she wants to stay for the midnight ball. She coaxes Alfred to leave the room (involving another encounter in the library, – "Even More Books") while she gets dressed, but when Alfred returns, Sarah is gone, and Herbert is in her place. Herbert tries flirting with the confused and terrified "hero" ( – "When Love is Inside You"), which culminates with him lunging at Alfred's neck, but the Professor comes in the nick of time and hits the young vampire with an umbrella. As Alfred and the Professor make it outside, the sun sets and they are confronted by von Krolock, who mocks the Professor's naïve attempt to destroy him ( – "You're Wrong, Professor"). To their horror, the two watch a whole mob of vampires rise up from a nearby church yard and head towards the ballroom ( – "Eternity"). As the vampires leave their resting places, von Krolock reflects on his painful damnation as a member of the undead ( – "The Insatiable Greed"), which Alfred overhears, but the Professor dismisses von Krolock as nothing more than a monster. The vampires arrive in the castle and the ball begins ( – "The Dance Hall"). Alfred and Professor Abronisus sneak their way inside dressed as members of the undead. Count von Krolock appears at the top of the stairs to introduce his "guest", whom he forbids the other vampires to touch. Sarah enters the ballroom in an elegant red ballgown and approaches von Krolock. He is quick to embrace her with a bite, draining her blood. The Count then proceeds to dance with the weakened Sarah as the other vampires join them in a menuet. Alfred and the Professor plan to sneak Sarah out during the dance, but unfortunately for them, a mirror is unveiled, blowing their cover since they're the only ones reflected. Von Krolock commands his vampire flock to attack Alfred and his mentor, but the former manages to form a makeshift cross out of two candelabras, causing a diversion. The three humans make their escape as von Krolock, furious, sends Koukol chasing after the girl. Koukol chases Alfred, Sarah and the Professor through the woods, but is attacked by wolves and killed. The three heroes stop on a small hillside to rest. Alfred once more professes his love to Sarah and the two lovers embrace ( – – "Outside is Freedom (Reprise)"). However, Sarah is already turned and bites Alfred mid-song, turning him into a vampire as well and both of them flee into the woods. Professor Abronsius, too consumed by his note-taking, does not see what is happening behind him until it is too late. In the epilogue, all vampires rejoice in their eternal dance ( – "Dance of the Vampires"). Broadway Version The plot for the American production of the musical is rather different than the European productions, as follows: Act 1 In the region of Transylvania, Romania in the year "1880-something", three days before Halloween, three little girls are trekking through a dark forest. Two of the three girls, Nadja and Zsa-Zsa, are overwhelmed by the fact that their friend Sarah does not appear to be afraid to collect mushrooms "three nights before Halloween". Trying to comfort her friends, she sings an old Transylvanian prayer (Angels Arise) to calm them down. They sight in the distance Castle Von Krolock, as Sarah ponders dreams where someone is calling her name and wherein she dances in red velvet boots and dress. As the girls finish their prayer, some vampires jump from the shadows of the forest and dance ravingly around the trio. The girls try to flee, when the vampires take Nadja and Zsa-Zsa and leave Sarah alone for their master (God Has Left The Building - dance number). Sarah screams for God's help, when, all of a sudden, a huge sarcophagus decorated with iron chains shoots out from under the church, blocking Sarah's path of escape. From there emerges the vampires' charismatic leader named Count von Krolock, who introduces himself to Sarah in an extremely charming way and, as a token of his gratitude, he invites her with flattering words to his annual big midnight ball in three days' time to celebrate her birthday (Original Sin). Meanwhile, the villagers of Lower Belabartokovich celebrate and sing the praises of garlic for its health and protection properties (Garlic), when their dance and song are interrupted by a duo of newcomers: a professor named Professor Abronsius and his student assistant Alfred. They arrive at an inn hosted by Sarah's father, a lecherous innkeeper named Chagal. There, the Professor inquiries about a castle in the area, in which the villagers vehemently deny when one of them notices the sunset, whereupon the villagers scamper home. In the villagers' place, a mysterious personage named Madame Von Krolock enters the inn for a business exchange with Chagal, asking for red silk. Suspicious, Abronsius inquiries about the strange woman, but Chagal refuses to discuss the matter. Abronsius presses on the matter, saying that through his deductive logic, he can understand the world (Logic). After Chagal takes the professor to their rooms, a employee of Chagal's, Boris, is converted to a thrall of Von Krolock. In a room, Alfred meets a naked Sarah taking a bath, as her parents enter the room to cover Sarah's shame. Abronsius notices the girl has some bite marks on her neck, and suggests a blood transfusion to heal her. The professor also fears an ancient prophecy about a girl named Sarah being willing bitten by a vampire, which will grant the undead world domination. As Abronsius and her family help with her blood transfusion, Alfred and Sarah sing about falling in love with each other (A Girl As Beautiful As She). Sarah and Alfred bond a bit after her transfusion, when Chagal enters the room and expels the youth, then sings about having Sarah as a daughter (When a Man Has Got a Pretty Daughter), while barricading her windows. Chagal's efforts are in vain, as the planks are removed by magic. Chagal tries to fix the window, when he falls through the window. Krolock bursts in through a window in Sarah's room and invites Sarah to the ball in his castle for her eighteenth birthday, which is exactly midnight on Halloween, promising her a red silk dress and red velvet boots as a gift before he is chased away by Abronsius and Alfred (A Good Nightmare Comes So Rarely/Invitation to the Ball). The next day, Abronsius tries to gather intel from the villagers about the vampires that live nearby, when some villagers bring Chagal's dead body. Rebecca wants to have a moment alone with her former husband, and their servant Magda joins her in their mutual mourning (Death is Such An Odd Thing). Chagal rises from the dead, grabs both women's behinds and howls in approval at buxom Magda, his maidservant, and escapes to the wilderness. Abronsius rushes to protect Magda and Rebecca, and sends Alfred to inform Sarah. Seeing Chagal now a vampire, Sarah finally seizes the opportunity to run away from home before he catches him leaving his property, even when Madame Von Krolock leaves her the promised red velvet boots with best regards from Krolock. Alfred suggests coming her back with him to Königsberg University to be rehabilitated in his stead since he is expelled. Sadly, Sarah turns him down and disappears into the darkness, wearing her new red boots as she sets out in search for a better place to live (i.e. Krolock's castle, where the ball will be taking place) - ''Braver Than We Are/Sarah's Dream Ballet. Sarah says she is sorry, then flees to the castle. Abronsius takes the charge and leads Alfred to the Castle to bring Sarah back, while the Count welcomes her with sweet declarations of love and leads her inside the eerie building - Midnight Serenade (Come With Me)''. Act 2 Sarah wanders restlessly through the massive castle until she meets Count von Krolock in the great hall. They get incredibly close to each other, but he turns away at the last second and saves the longed-for bite for the midnight ball (Vampires in Love (Total Eclipse of the Heart)). In the meantime, Abronsius and Alfred have succeeded in infiltrating the castle. In the library, where every book ever written is kept, they come across the Count, who pretends to be an admirer of the professor and makes some ambiguous jokes with Alfred, who unintentionally captivates Herbert, the Count's homosexual son (Books). Later, in the pompous guest room that has been assigned to the two, Alfred is plagued by terrible nightmares in which he finally loses Sarah in a struggle against the Count (Seize the Night). Alfred wakes up from the nightmares and reaffirms his vow to find and keep Sarah safe (For Sarah). Abronsius and Alfred use the last hours of the almost completely sleepy day to search for the crypt. After endless wandering, they discover the dark vault, but instead of Krolock, they see Chagal lying on top of the count's sarcophagus. Rebecca, accompanied by a buxom waitress in her husband's inn named Magda, suggests she drives the stake into his heart herself since he is beyond saving. Alfred agrees and separates from Abronsius to continue looking for Sarah, whose voice is coming from somewhere in the castle. However, Chagal has been pretending to be asleep the whole time, seizing the opportunity to suck Rebecca and Magda dry, ultimately turning them into his lovers to join him in undeath. Alfred follows Sarah's voice, only to end up in Herbert's room where he discovers cuffs on his bed, ready to prevent him from reaching Sarah. Without any other options left, Alfred shoves a tome between Herbert's teeth to prevent him from biting him (When Love Is Inside You). By the end of his search, Alfred finally finds Sarah in her new quarters and tries to convince her that Krolock isn't as friendly as he seems. However, Sarah does not have the means to return to the village as she is already home — with Krolock —, informing Alfred to forget her and return to the university, in which he hesitates due to trespassing charges as he is already expelled for being an accomplice to the Professor, who shows up and calls him outside, where he has made a horrific discovery. One by one, the vampires rise from their graves in the castle cemetery and, stretching their stiff limbs, march towards the direction of the ballroom (Eternity). Abronsius is still shaken by his discovery and lets Alfred in on the secret of an old prophecy: "If a virgin voluntarily allows herself to be bitten by a vampire on her eighteenth birthday, which occurs at midnight on Halloween, they would henceforth be able to walk around by day and achieve world domination." Suddenly, the Count appears in person to eliminate the uninvited guests for not listening to Sarah, only to be pushed back thanks to the Professor's crucifix. After the Professor implores him to spare Sarah, Count von Krolock privately turns him down with an ultimatum despite his insatiable hunger for real life that eternally plagues him (though being an undead vampire he will never be able to experience anything else) (Confessions of a Vampire). At the ball, Abronsius and Alfred follow the vampires disguised as two of them, as Boris announces Von Krolock, who comes in and greets his flock, signing autographs for some of them. The Count presents Sarah and bites her, to the vampires' celebratory screams. Sarah admits that "now, there's only layers of dark", when Alfred reveals himself. As Krolock leads his flock into mocking Alfred's valor, the Professor also reveals himself, having come to terms with Sarah's plight, and distracts the gathering with a cross improvised from two large candles. As Alfred seizes the chance to pull Sarah to the safety outside the ballroom, Abronsius then fights his way towards the top of a grand staircase where he smashes a large window to allow the rays of the sun, which has risen in the meantime, to fatally engulf all the vampires at once. With one last ounce of strength left in him, Count von Krolock dies, but decrees that Sarah "will live forevermore" (''The Ball / You'll Live Forevermore''). The trio is back at the village. As the Professor prepares a transfusion for Sarah, she and Alfred reunite and enjoy their reunion, until she bites his neck and turns him into a vampire. On the other hand, the Professor is delighted that he finally found the specimen he is looking for to prove to the world that vampires are absolutely real. Contrary to Abronsius's further ultimate goal to secure his Nobel Prize win, by the present day, the vampires (including Chagal, Rebecca, Magda, Herbert, Boris, even Sarah's friends Nadja and Zsa Zsa—and finally, Alfred and Professor Abronsius) dominate the human race, celebrating their successful global conquest under Sarah's lead as their new vampire queen in Krolock's honor (Dance of the Vampires (Finale)). ==Productions and casts==
Productions and casts
Austria originally played from October 4, 1997, to January 15, 2000, at the Raimund Theater in Vienna, Austria. Steve Barton received the 1998 IMAGE Award for Best Actor for his originating performance as Count von Krolock. A complete cast recording and a highlights cast recording of the Vienna production was released on a double CD in 1998. For the 10th anniversary of the musical, returned to the Raimund Theater for the week of February 3–11, 2007 in a scaled-down concert version. From September 16, 2009, to June 25, 2011, returned to Vienna at the Ronacher. The Ronacher production does not replicate the original. It features new sets, costumes, and lighting. Sets and costumes for the 2009 production were developed by Kentaur, based on the designs he developed previously for the Budapest production (see below). Austria casts Germany The show had its German premiere in Stuttgart, Germany at the Apollo Theater and ran from March 31, 2000, to August 31, 2003. It also played in Hamburg at the from December 7, 2003, to January 22, 2006, in Berlin at the from December 10, 2006, to March 30, 2008, and in Oberhausen at the Metronom Theater am Centro from November 7, 2008, to January 31, 2010. As a result of public voting, returned to Stuttgart at the Palladium Theater from February 25, 2010, to October 16, 2011. The show returned to the in Berlin from November 14, 2011, to August 25, 2013. On April 24, 2016, began a touring production across Germany that concluded on March 17, 2019. Germany casts United States attracted the attention of English-speaking producers who sought to adapt it for audiences in English-speaking countries. Composer Jim Steinman, an experienced figure in New York's theatrical landscape, had previously collaborated with Joseph Papp of the New York Shakespeare Festival in the early 1970s and contributed to various musical works, including The Dream Engine, Neverland, The Confidence Man, and the lyrics for Andrew Lloyd Webber's Whistle Down the Wind. Initially, consideration was given to staging the production, retitled Dance of the Vampires, in London's West End. However, under the guidance of Steinman and his manager, David Sonenberg, the decision was made to bring the musical to Broadway for the 1998 season. Steinman undertook the task of translating and adapting the German libretto and lyrics, with Roman Polanski returning as director and Andrew Braunsberg, the original Viennese producer and Polanski's manager, serving as executive producer. Challenges in securing Polanski's return to the United States led to a postponement of the production's opening to Halloween 2000. By March 2000, the inability to resolve these issues prompted the search for a new director. In October 2000, a tentative opening was scheduled for Fall 2001, with Steinman assuming the role of director despite lacking prior experience in stage direction. By early 2001, preparations advanced with a reading for potential producers and investors, announced through Steinman's fan website. John Caird was appointed co-director, and playwright David Ives was engaged to revise the libretto, shifting the tone toward comedy to align with perceived Broadway preferences, moving away from the original Austrian production's style. aimed to appeal to audiences skeptical of traditional musicals. However, the reimagined script, blending bawdy humor with eroticism, received mixed feedback from potential investors, who admired the score but found the libretto in need of refinement. Creative tensions arose between Steinman and the producing team, compounded by challenges in securing sufficient investment for the planned fall 2001 opening. These difficulties led to the dismissal of producers Williams and Waxman, with Sonenberg assuming primary producing responsibilities, a move perceived by some as consolidating Steinman's control over the project. To bolster investor confidence, the production sought a prominent lead for the role of Count von Krolock. After exploring options such as David Bowie, John Travolta, Richard Gere, and Plácido Domingo, Crawford's involvement was secured after negotiations granting him creative control over his character and the right of first refusal for future productions in London and Los Angeles. Initial reports of a substantial salary were later moderated, with Crawford agreeing to a reduced weekly compensation of $30,000, dismissing earlier figures as exaggerated. The production faced significant disruptions following the September 11 attacks, which caused logistical challenges, including travel restrictions affecting key creative team members based in London, such as co-director Caird. Unable to meet the planned opening before the Tony Awards deadline, and with Sonenberg struggling to secure his portion of the investment, as did the absence of a cohesive creative vision, exacerbated by Rando's temporary withdrawal following his mother's death. and the subsequent removal of Sonenberg as producer, further destabilized the production. Previews began at the Minskoff Theatre on October 18, 2002, with a version heavily altered to emphasize camp humor, diverging significantly from the original Viennese production. Initial ticket sales were strong, driven by Crawford's reputation, but critical reception was mixed. Efforts to refine the production during previews included cutting dialogue to expand the score, redesigning costumes, and incorporating a modernized ending suggested by original author Michael Kunze. However, ongoing changes to the script and Crawford's ad-libbing created inconsistencies, frustrating cast members. Steinman publicly distanced himself from the final product, emphasizing his preference for the Viennese version and later describing the Broadway production as a failure on his blog. Dance of the Vampires closed on January 25, 2003, after 56 performances, incurring losses estimated at $12 million, marking it as one of Broadway's most significant financial failures at the time. Original Broadway cast • Count Giovanni Von Krolock – Michael Crawford • Sarah – Mandy Gonzalez • Professor Abronsius – René Auberjonois • Alfred – Max von Essen • Chagal – Ron Orbach • Magda – Leah Hocking • Rebecca – Liz McCartney • Herbert – Asa Somers • Boris – Mark Price • Zsa-Zsa – Erin Leigh Peck • Nadja – E. Alyssa Claar Other international productions The musical has thus far been played at the following international venues: • Estonia: Tallinn: 2000 at the Tallinna LinnahallPoland: Warsaw: October 8, 2005 – October 24, 2006 at the Roma Teatr Muzyczny • Japan: • Tokyo: July 7 – August 27, 2006; July 5 – August 26, 2009; November 27 – December 24, 2011; November 3–30, 2015; all at the Imperial TheatreFukuoka: September 2–27, 2009 at the Hakata-zaOsaka: January 7–12, 2012; January 2–11, 2016; all at the Umeda Arts TheaterNagoya: January 15–17, 2016 at Chunichi TheatreHungary: Budapest: June 30, 2007; PS Produkció at the Magyar TheatreBelgium: Antwerp: September 9, 2010 – October 24, 2010 at the StadsschouwburgSlovakia: Nitra: May 5–7, 2011 at the Altes Theater Nitra • Russia: • Saint Petersburg: September 3, 2011 – July 31, 2014; August 22 – October 2, 2016; May 25, 2018 – July 21, 2019; all at the State Theater of Musical Comedy • Moscow: October 29, 2016 – July 1, 2017 at the MDM Theater • Finland: • Seinäjoki: September 10, 2011 – March 24, 2012 at the Seinäjoki City TheatreHelsinki: February 3, 2016 – 2016 at the Peacock Theater • France: Paris: October 16, 2014 – June 28, 2015 at the Théâtre MogadorCzech Republic: Prague: February 12, 2017 – June 10, 2018 at the GoJa Music Hall • Switzerland: St. Gallen: February 19, 2017 at the Theater St. GallenDenmark: Copenhagen: January 23 – April 9, 2020 at the Det Ny Teater Other casts == Characters ==
Characters
(Note: Many changes in characterization were made for the Broadway version. This refers to the original European version.)Graf von Krolock, the powerful and seductive vampire lord. • Professor Abronsius, an absent-minded vampire hunter. • Alfred, Abronsius' young and well-meaning assistant. • Sarah, the innkeeper's beautiful young daughter. • Chagal, a Jewish innkeeper and Sarah's over-protective father. • Rebecca, Chagal's long-suffering wife. • Magda, the pretty maid-of-all trades at Chagal's inn. • Herbert von Krolock, the Count's homosexual son. • Koukol, the Count's hunchbacked servant. == Songs ==
Songs
The musical score written by Steinman leans heavily on material from his earlier projects, mainly from his less-known shows like The Dream Engine and The Confidence Man (co-written with Ray Errol Fox), although it also features music from his widely known records like "Total Eclipse of the Heart" (remade as ""), the melody, but not the lyric, from a Bat Out of Hell II song called "Objects in the Rear View Mirror May Appear Closer than They Are" (remade as "") and "Original Sin", originally written for the ''Pandora's Box album of the same name and later sung by Meat Loaf in Welcome to the Neighborhood (parts of which were remade as "" and ""). The song "Tonight is What It Means to Be Young" from the soundtrack to the film Streets of Fire'' was also used (remade as ). Asked at one point to explain the reuse of "Total Eclipse", Steinman explained, "That was an accident almost. I'm surprised it stayed in. [For the original production] in Vienna, I had only a month and a half to write this whole show and we needed a big love duet... But with Total Eclipse of the Heart, I was trying to come up with a love song and I remembered I actually wrote that to be a vampire love song. Its original title was Vampires in Love because I was working on a musical of Nosferatu, the other great vampire story. If anyone listens to the lyrics, they're really like vampire lines. It's all about the darkness, the power of darkness and love's place in dark. And so I figured 'Who's ever going to know; it's Vienna!' And then it was just hard to take it out." Asked about the impact of previously heard songs, especially Total Eclipse, on the show's popularity in Europe, Steinman replied, "Well, the reaction, at least in Europe, was great. They recognized it, but then it seems – if it's done well – to take on a different personality." Original Austrian version (1997) This song list also reflects the Japanese production in 2006. Act One • "" (Overture) • "" (Hey, Ho, Hey) • "" (Garlic) • "" (Please, Gentlemen) • "" (A Beautiful Daughter Is a Blessing) • "" (Never Seen) • "" (God is Dead) • "" (''Everything's Bright'') • "" (Truth) • "" (''You're Really Very Nice'') • "" (Invitation to the Ball) • "" (Outside Is Freedom) • "" (The Red Boots) • "" (Mourning for Chagal) • "" (To Be Dead is Strange) • "" (Through the Wilderness to the Castle) • "" (In Front of the Castle) Act Two • "" (Total Eclipse) • "" (Seize the Night) • "" (A Perfect Day) • "" (In the Crypt) • "" (Books, Books) • "" (For Sarah) • "" (Even More Books) • "" (When Love Is Inside You) • "" (''You're Wrong, Professor'') • "" (Eternity) • "" (The Insatiable Greed) • "" (The Ballroom) • " – " • "" (The Dance of the Vampires) Later European versions While some song titles changed in later variations, aside from the addition of one number to replace , the substance of the score is largely the same. (For example, the new title of merely reflects the first line of the song replacing its original title, not a new number being written. English translations of the new German phrases are provided as above, the exception being , which is a nonsense phrase repeated in the peasant scenes in question.) The list below reflects changes made to all productions after the Stuttgart and Berlin runs. A few scenes have also been revised with shorter songs and less underscoring in order to pick up the pace of the show. Act One • "" • "" • "" • "" • "" • "" (A Girl Who Smiles in Such a Way) • "" (Be Prepared) • "" • "" • "" • "" • "" • "" (Stronger Than We Are) • "" • "" • "" • "" Act Two • "" (Love Duet) • "" • "" (A Good Day) • "" • "" (The Crypt) • "" • " – " • "" • " – " • "" • "" • "" • " – " • "" Original Broadway version (2002–03) During previews, "The Invitation" consisted of sections "A Good Nightmare Comes So Rarely", "The Devil May Care (But I Don't)" and "Sometimes We Need the Boogeyman". Also, "Something to Kill (Our Time)" was performed between "For Sarah" and "Death Is Such an Odd Thing (Reprise)". Act One • "Overture" • "Angels Arise" – Sarah, Nadja, Zsa Zsa • "God Has Left the Building" – Vampires and Sarah, Nadja, Zsa Zsa • "Original Sin" – Count von Krolock, Sarah, Vampires • "Garlic" – Chagal, Rebecca, Magda, Boris and the Peasants • "Logic" – Abronsius, with Alfred, Chagal, Magda, and Rebecca • "There's Never Been a Night Like This" – Alfred, Sarah, Chagal, Rebecca, Magda and Abronsius • "Don't Leave Daddy" – Chagal • "The Invitation" – Instrumental • "A Good Nightmare Comes So Rarely" – Krolock • "Forevermore in the Night" – Instrumental • "Death Is Such an Odd Thing" – Rebecca, Magda • "Braver Than We Are" – Sarah, Alfred • "Red Boots Ballet" – Sarah, Company, Krolock • "Say a Prayer" – Company • "Come with Me" – Krolock Act Two • "Vampires in Love (Total Eclipse of the Heart)" – Sarah, Krolock, Vampires • "Books, Books" – Abronsius, Krolock • "Carpe Noctem" – Company • "For Sarah" – Alfred • "Death Is Such an Odd Thing (Reprise)" – Rebecca, Magda, Chagal • "When Love Is Inside You" – Alfred, Herbert • "Eternity" – Vampires • "Confession of a Vampire" – Krolock • The Ball: • "The Minuet" – Abronsius, Alfred, Herbert, Boris, and Vampires • "Never Be Enough" – Krolock and Vampires • "Come with Me (Reprise)" – Krolock • "Braver Than We Are (Reprise)" – Sarah, Alfred • "The Dance of the Vampires" – Company ==See also==
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