K. V. Mahadevan was born in 1918 at
Krishnancoil, a locality in
Nagercoil,
Kanyakumari District. Father Venkadachalam Bhagavathar and Mother Pichaiyammal did music composing for more than 50 years, beginning from 1942 until 1993. Telugu Film Industry crowned him with title "Swara Brahma" (Creator/Father of Musical notes). His song "mama mama mama" from 1962 Telugu movie
Manchi Manasulu became popular those days, as a result, Telugu film industry with love started calling him "Mama" since then. His favorite music instrument is
Nadaswaram similar to (
Shehnai).It could be the reason his compositions have always reflected its mellifluous pattern. Another great characteristic from this scholar as it is known to everyone and open fact that he never asked lyricist to write lyrics for his earlier composed tunes. Always composed tunes to written lyrics.Very few in
India have been able to exercise this feat with success. Music has no
Language barriers. "Sisurvethi, pasurvethi, vethiganarasamphanihi" is a popular Sanskrit axiom which says that Music has the power to impress a child, animal, and the universe alike. As we can read from Climax song of film
Sankarabharanam (1980), "Tatva Saadhana ku Satya Shodhana ku Sangeethame Pranamu" (Music is a Stair Case for attaining Enlightenment and truth discovery) "Swara Brahma" left no foot prints of his mother tongue when it comes to his scores in other languages. Telugu language being inherited from Sanskrit, has its own nativity which composers of Telugu as their mother tongue and "North" (
O. P. Nayyar), "West" (
C. Ramchandra), (
Shankar–Jaikishan), (
Laxmikant–Pyarelal), (
Chirrantan Bhatt), "East" (
R. D. Burman), (
Salil Chowdhury), (
Ravindra Jain), (
Bappi Lahiri) like composers could fulfill effortlessly. "Swara Brahma" automatically had fallen into that groove as he was getting to know meaning of lyrics for every song before composing them. Assistant Puhalendi too exhibited similar characteristics as it was evident from interludes orchestration. According to famous Director
K. Raghavendra Rao opinion as expressed by him, Mama "Mahadevan" is "Saraswati Putra" and
K. Chakravarthy is "Ekalavya". His 1977 film
Adavi Ramudu was recorded as the highest grossing Telugu film of the 1970s. Director
K. Raghavendra Rao 's father
K. S. Prakash Rao mostly worked with
Pendyala Nageswara Rao between 1950&1974.
K. Chakravarthy too composed good music for music lover
K. Raghavendra Rao previous movies
Jyothi (1976) and
Kalpana (1977). But Production house Sathya Chitra earlier production
Tahsildar Gari Ammayi music was scored by Mama. Based on their faith, Sathya chitra insisted and retained "Mama" for
N. T. Rama Rao movie
Adavi Ramudu (1977). Mama's composition "Krushi vunte Manushulu Rushulavutaaru" (Effort makes Humans Saints) stands testimony to all stake holders of this movie and to every one who believes in determination. "Yuva Chitra Arts" banner Producer
K. Murari being ardent fan of "Mama" stopped producing movies ever since "Mama" called it a day in his career. Director
Bapu (director), Producer
S. Gopala Reddy, Director
Kodi Ramakrishna and later in his career actor
Mohan Babu loved working with "Mama". It would be tough to guess between "Swara Brahma" and Director "
K. Viswanath" as to, who was elemental in whose fame. Combined effort returned laurels to art of Cinema. May be "Vidhaata talapuna prabhavinchinadi anaadi Jeevana Vedam". Contemporary musician
P. Bhanumathi criticized "Mama" about his score for movie
Sankarabharanam (1980) as lighter version
Carnatic music Raga's rendered by him. Later she even went on to sing a song "Shree Surya Narayanaa Melukoo" for "Mama" in his 1984 movie
Mangammagari Manavadu. His music assistant known as Puhalendi in Telugu film industry was with him like a life partner throughout his life, though scored few films on his own. Mahadevan-Puhalendi
Pukazhenthi as music director duo scored music for 1993
N. T. Rama Rao movie
Srinatha Kavi Sarvabhowmudu directed by
Bapu. == Filmography ==