Like other characters in the Milne's children books, Kanga is portrayed in an "
impressionist" manner: a dominant trait is defined early and refined in a one-dimensional way. Kanga always stays motherly as the story unfolds, just like Tigger keeps being bouncy. The choice of animal assists in this unidimensional development of a character, with real-life female
kangaroo protecting an offspring for months after birth literally within her body. Along with Rabbit, Eeyore, and Owl, Kanga is one of the four "staid" adult characters, in contrast to the adolescent Tigger (who still need a mother's firm hand, lent by Kanga), baby Roo, and somewhere-in-between Pooh and Piglet. Yarbrough considers her to be the only "adult" in the forest. Despite her staid appearance, however, Kanga fully participates in the nonsensical humor and physicality of the stories, Pooh is envious of her jumping. Motherly role of Kanga is evident in her behavior towards other characters: unlike the wise
Owl's, her concerns are purely practical, for example, she chastises Owl for the mess he made in his house. In her complete devotion to family affairs (a trait quite foreign to
Rabbit), she often goes far, using the only punishments in the books: she bathes Roo in cold water and warns him not to become "small and weak like Piglet". Christopher Robin considers her to be one of the "Fiercer Animals". Piglet seconds, "if One of the Fiercer Animal is Deprived of Its Young, it becomes as fierce as Two of the Fiercer Animals". Kanga, like Tigger, is an outsider not quite fitting in with the rest of the forest crowd. ==Adaptations==