While she shared many of the goals of the radical
left-wing of the late 1960s, Jay was at odds with the
male-supremacist behavior of many of the movement's leaders. In 1969, she became a member of
Redstockings. Jay, who had been aware of her
lesbianism since high school, came out to her consciousness-raising group in Redstockings. At around the same time she began using the name Karla Jay to reflect her
feminist principles. When activists founded the
Gay Liberation Front (GLF) in the wake of the
Stonewall Riots of June 1969, Jay,
openly lesbian, became an early member and an active participant. She balanced attendance at GLF meetings with
graduate school at
New York University, where she majored in
comparative literature. She was one of the few women actively involved in the early gay rights movement on both coasts. Jay, along with Lee Mason and other LGBT+ artists and activists helped create the Gay-In III festival in Griffith Park, Los Angeles in September 1970. This festival was intended to be, in the words of Karla Jay herself, one of “these queer ‘love fests’... and [they] included kissing booths, face painting, marijuana, vodka-spiked oranges, guerilla theatre, fake marriages, voter registration and advice regarding arrests.” In reality, the festival was poorly attended but continued the precedent of such festivals, such as the ubiquitous gay pride parades. Jay reflects on the intentions behind the gay-in as an essential part of more serious aspects of the gay rights movement: “If we dared to hold hands and party in public, we knew unimaginable rights might follow. And they did.” Jay was a member of
Lavender Menace, a group that formed to protest the exclusion of lesbians from mainstream
Women's Liberation. She was involved in the planning and execution of the "Lavender Menace Zap" at the Second Congress to Unite Women in
New York City in May 1970. This
zap is considered a turning-point in the history of
second-wave feminism. Also in 1970, the "Wall Street Ogle-In" took place. The events of September 1968 regarding
Francine Gottfried made an impression on
second-wave feminists in New York City, and in March 1970, they retaliated in a raid on Wall Street which they dubbed the "Ogle-In", in which a large group of feminists, including Jay,
Alix Kates Shulman, and a number of women who had participated in the
sit-in at
Ladies Home Journal a few weeks before, sexually harassed male Wall Streeters on their way to work with catcalls and crude remarks. Working with
Allen Young Jay edited
Out of the Closets (1972), a pioneering anthology that gave voice to the
Radicalesbians,
Martha Shelley, and writers such as
Rita Mae Brown. It was during the 1970s that Jay first heard about
Natalie Clifford Barney and
Renée Vivien, two prominent lesbian writers living as expatriates in Paris from the early 1900s. Their lives and works became the subject of Jay's doctoral dissertation, published by Indiana University Press as
The Amazon and the Page (1988). Jay contributed the essay "Confessions of a Worrywart: Ruminations on a Lesbian Feminist Overview" to the anthology ''
Sisterhood Is Forever: The Women's Anthology for a New Millennium'' (2003), edited by
Robin Morgan. At the presentation of Pace University's 10th Annual Dyson Distinguished Achievement Awards on April 6, 2006, Jay was honored with the Distinguished Faculty Award. She received the
Bill Whitehead Award for Lifetime Achievement from
Publishing Triangle in 2006. Jay is featured in the feminist history film ''
She's Beautiful When She's Angry''. Her papers are held in the Archives & Manuscripts Division of the New York Public Library. ==Works==