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Katha Upanishad

The Katha Upanishad, is an ancient Hindu text and one of the mukhya (primary) Upanishads, embedded in the last eight short sections of the Kaṭha school of the Krishna Yajurveda. It is also known as Kāṭhaka Upanishad, and is listed as number 3 in the Muktika canon of 108 Upanishads.

Etymology
Katha (Sanskrit: कठ) literally means "distress". Katha is also the name of a sage, credited as the founder of a branch of the Krishna Yajur-veda, as well as the term for a female pupil or follower of Kathas school of Yajurveda. Some of these Sanskrit word plays are incorporated within the Upanishad's text. ==Chronology==
Chronology
The chronology of Katha Upanishad is unclear and contested by scholars. All opinions rest on scanty evidence, an analysis of archaism, style and repetitions across texts, driven by assumptions about likely evolution of ideas, and on presumptions about which philosophy might have influenced which other Indian philosophies. Olivelle assigns the Katha Upanishad to the verse Upanishads, together with the Kena, Isha, Svetasvatara, and Mundaka, dating it to the first centuries BCE. Paul Deussen too considers Katha Upanishad to be a post-prose, yet earlier stage Upanishad composed about the time Kena and Isha Upanishads were, because of the poetic, mathematical metric structure of its hymns. Stephen Phillips notes the disagreement between modern scholars. Phillips places the Katha Upanishad chronologically after Brihadaranyaka, Chandogya, Isha, Taittiriya, Aitareya and Kena, but before Mundaka, Prasna, Mandukya, Svetasvatara and Maitri Upanishads, as well as before the earliest Buddhist Pali and Jaina canons. ==Structure==
Structure
The Katha Upanishad has two chapters (adhyāyas), each with three sections (valli), thus a total of six sections. The first section has 29 verses, the second section 25 verses, and the third section has 17. The second chapter opens with the fourth section of the Katha Upanishad, which has 15 verses, while the fifth valli also has 15 verses. The final section has 17 verses. Nachiketa is mentioned in the verses of chapter 3.11 of Taittiriya Brahmana, both as a similar story, The style and structure suggests that some of the verses in Katha Upanishad, such as 1.1.8, 1.1.16-1.1.18, 1.1.28, among others, are non-philosophical, do not fit with the rest of the text, and are likely to be later insertion and interpolations. ==Content==
Content
The son questions his father - First Valli The Upanishad opens with the story of Vajasravasa, also called Aruni Auddalaki Gautama, who gives away all of his worldly possessions. However, his son Nachiketa (Sanskrit: नचिकेत) sees the charitable sacrifice as a farce, because all those worldly things have already been used to exhaustion, and are of no value to the recipients. The cows that were given away, for example, were so old that they had "drunk-their-last-water" (पीतोदकाः), "eaten-their-last-grass" (जग्धतृणाः), "don't give milk" (दुग्धदोहाः) and "who are barren" (निरिन्द्रियाः). Concerned, the son asks his father, {{blockquote| "Dear father, to whom will you give me away?" He said it a second, and then a third time. The father, seized by anger, replied: "To Death, I give you away." Nachiketa does not die, but accepts his father's gifting him to Death by visiting the abode of Yama - the deity of death in the Indian pantheon of deities. Nachiketa arrives, but Yama is not in his abode. Nachiketa as guest goes hungry for three nights, states verse 9 of the first Valli of Katha Upanishad. Yama arrives and is apologetic for this dishonor to the guest, so he offers Nachiketa three wishes. Nachiketa's first wish is that Yama discharge him from the abode of death, back to his family, and that his father be calm, well-disposed, not resentful and the same as he was before when he returns. Yama grants the first wish immediately, states verse 1.1.11 of Katha Upanishad. In his third wish Nachiketa then asks Yama, in verse 1.1.20, about the doubt that human beings have about "what happens after a person dies? Does he continue to exist in another form? or not?" Nachiketa says that if gods doubt that, then he "Yama" as deity of death ought to be the only one who knows the answer. Yama offers him all sorts of worldly wealth and pleasures instead, but Nachiketa says human life is short, asks Yama to keep the worldly wealth and pleasures to himself, declares that pompous wealth, lust and pleasures are fleeting and vain, then insists on knowing the nature of Atman (Self) and sticks to his question, "what happens after death?" The theory of good versus dear - Second Valli teaches Atma vidya to Nachiketa Yama begins his teaching by distinguishing between preya (प्रेय, प्रिय, dear, pleasant, gratifying), and shreya (श्रेय, good, beneficial excellence). The pursuit of knowledge and the good, can be taught, learnt and thus realized. A similar discussion and distinction between the pleasant and the beneficial is found in ancient Greek philosophy, such as in Phaedrus by Plato. Atman exists, the theory of Yoga and the essence of Vedas - Second Valli The Katha Upanishad, in verses 1.2.12, asserts that the Atman – Self – exists, though it is invisible and full of mystery. It also states that it is ancient and recognizable by Yoga (meditation on one's self). This is one of the earliest mentions of Yoga in ancient Sanskrit literature, in the context of Self-development and meditation. In verses 1.2.14 through 1.2.22, the Katha Upanishad asserts that the essence of Vedas is to liberate, look past what has happened and what has not happened, free from the past and the future, refocus attention from ignorance to knowledge, leading to the means of blissful existence beyond joy and sorrow. This is achievable through the realization of Atman-Brahman, asserts Katha Upanishad, and this essence is reminded in the Vedas through the word Om (, Aum), as stated in verses 1.2.15-1.2.16. That syllable, Aum, is in Brahman, means Brahman, means the Highest, means the Blissful within. In final verses of the second Valli, the Katha Upanishad asserts that the knowledge of the Atman cannot be attained through intellectual effort, reason, or scriptural study alone. Instead, it is revealed by the Self (Atman) to those whom it selects, but only if they meet certain moral preconditions. Similar ideas are repeated in the Mundaka Upanishad in chapter 3.2, another classic ancient scripture of Hinduism. {{blockquote| Know that the Atman is the rider in the chariot, and the body is the chariot, Know that the Buddhi (intelligence, ability to reason) is the charioteer, and Manas (mind) is the reins. The senses are called the horses, the objects of the senses are their paths, Formed out of the union of the Atman, the senses and the mind, him they call the "enjoyer". The Katha Upanishad asserts that one who does not use his powers of reasoning, whose senses are unruly and mind unbridled, his life drifts in chaos and confusion, his existence entangled in samsara. Those who use their intelligence, have their senses calm and under reason, they live a life of bliss and liberation, which is the highest place of Vishnu. Madhvacharya, the Dvaita Vedanta scholar interprets this term differently, and bases his theistic interpretation of Katha Upanishad by stating that the term refers to the deity Vishnu. This metaphorical parable of chariot is found in multiple ancient Indian texts, and is called the Ratha Kalpana. A similar simile is found in ancient Greek literature, such as the Parmenides, Xenophon's prologue of Prodikos, and in the Platonic dialogue Phaedrus. In verse 1.3.13, Katha Upanishad states that Prajna (conscious man) should heed to the ethical precept of self-examination and self-restraint, restraining his speech and mind by the application of his Buddhi (power to reason). Man should, asserts Katha Upanishad, holistically unify his tempered senses and mind with his intellect, all these with his Atman (Self), and unify his "great Self" with the Self of the rest, the tranquility of Oneness with the Avyaktam and "cosmic Self". The theory of Atman, Oneness and Plurality - Fourth Valli The fourth Valli starts by asserting that inner knowledge is that of unity, eternal calmness and spiritual Oneness, while the external knowledge is that of plurality, perishable "running around" and sensory objects. The Katha Upanishad in fifteen verses of the fourth Valli, as well as those the fifth Valli, explains what is Atman, how it can be known, the nature of Atman, and why it ought to be known. For definition, it deploys an epistemic combination of "positive assertions" as well as "exposition by elimination", the latter repeated with, {{Blockquote| What is left here? Truly, this is that (Atman). Atman, asserts Katha Upanishad, is the subject of Self-knowledge, the bearer of spiritual reality, that which is all-pervading, inside every being, which unifies all human beings as well as all creatures, the concealed, eternal, immortal, pure bliss. It exists and active when man is in awake-state, it exists and active when man is in dream-state. To understand the eternal nature of one's Self is to feel calmness, inner peace, patience and freedom regardless of the circumstances one is in, affections or threats one faces, praises or insults one is subjected to. Anyone who runs after sensory-impressions, gets lost among them just like water flows randomly after rainfall on mountains, state verses 2.4.14 and 2.4.15 of the Katha Upanishad; and those who know their Self and act according to its Dharma remain pure like pure water remains pure when poured into pure water. There is no plurality and separateness between the essence (Atman) of I and others, between the essence of nature and spirit, asserts Katha Upanishad in verses 2.4.10 and 2.4.11. Shankara agrees with this interpretation. Ramanuja does not and offers a theistic dualism based interpretation instead. Life is highest joy, and what happens after death - Fifth Valli The fifth Valli of the Katha Upanishad is an eschatological treatise. It begins by stating that human body is like a Pura (Sanskrit: पुर, town, city) with eleven gates that connect it to the universe. The Katha Upanishad asserts that an individual who understands and reveres this town of eternal, non-changing spirit, is never crooked-minded and is always free. The Self dwells in swan, in the atmosphere, in man, in wide spaces (Varasad), in eternal law, and everywhere in the universe. It is born of water, it is born of kine, it is born of Ṛta (right, truth, ethics, morals, eternal law), and it is born of stone (mountains) as the great Ṛta, as it ought to be. This Self is worshipped by all the gods. Body dies, Self doesn't. {{Blockquote| Some of these Selfs enter into the womb, in order to embody again into organic beings, others assemble unto what is Sthānu (immovable things), according to their karma, according to their shrutam (श्रुतम्, knowledge, learning). The Self is always awake and active, while one is asleep, shaping wishful dreams. It is one with Brahman. It is everywhere, within and without, it is immortal. This universal, oneness theme is explained by the Katha Upanishad by three similes, which Paul Deussen calls as excellent. Life is spirit, full of joy. Meaning is Atman, full of perennial peace. "Truly, this is that", once deeply felt and understood by man, is inexpressible highest joy. It is he who realizes this who shines, his splendour shines everything with and by (Anu), the whole world shines by such joy unleashed, such splendour manifested. The theory of Yoga - Sixth Valli The sixth Valli continues the discussion of Karma and rebirth theory, sections of which Max Muller states is possibly interpolated and inserted in a later period. The first five verses of the last section of the Upanishad assert that those who do not know or do not understand Atman return to the world of creation, and those who do are free, liberated. Some unaware of Brahman's essence are naturally inclined to fear God and its manifestation such as nature (fire, lightning, sun), state verses 2.6.2 and 2.6.3 of Katha Upanishad. The Katha Upanishad, in verses 2.6.6 through 2.6.13 recommends a path to Self-knowledge, and this path it calls Yoga. Realize you are perfect now and here - Sixth Valli The Katha Upanishad concludes its philosophical presentation in verses 14-15 of the sixth Valli. The state of perfection, according to the last section of the Upanishad, explains Paul Deussen, consists "not in the attainment of a future or yonder world, but it is already just now and here for one who is Self-realized, who knows his Self as Brahman (Cosmic Self)". This teaching is also presented in the other ancient scriptures of Hinduism, such as Brihadaranyaka Upanishad's Chapter 4.4.6. The verse 15 of the sixth Valli declares that the Upanishad concludes its teaching therein. that these remaining verses 2.6.16 – 2.6.18 are possibly modern additions as appendix and have been interpolated. This is due to the declaration of Upanishad's end in verse 15, and the additional three verses that are structured in prose-like manner, rather than the poetic, metric-perfection that Katha Upanishad is largely written in. ==Reception==
Reception
Charles Johnston has called Katha Upanishad as one of the highest spiritual texts, with layers of metaphors embedded therein. To Johnston, the three nights and three boons in the first Valli of Katha Upanishad, for example, are among the text's many layers, with the three connoting the past, the present and the future. The Irish poet William Butler Yeats dedicated several essays and sonnets to themes in Katha Upanishad and related ancient Upanishads of India. George William Russell similarly esteemed the Katha and other Upanishads. The American poet Ralph Waldo Emerson held Katha Upanishad highly, and wrote several poems and essays paralleling the themes in it. The various themes contained in Katha Upanishad have been subject of many scholarly works. For example, Elizabeth Schiltz Radhakrishnan notes that Katha Upanishad's discussion of "good versus pleasant" is evidence of ethical theories and philosophical longings of ancient human beings in India by 1st millennium BCE, much like those in Greek city states in Europe. In popular culture A verse in the Upanishad inspired the title and the epigraph of W. Somerset Maugham's 1944 novel ''The Razor's Edge'', later adapted, twice, into films of the same title (see articles on 1946 and 1984 films). The epigraph reads, "The sharp edge of a razor is difficult to pass over; thus the wise say the path to Salvation is hard." taken from a verse in the Katha-Upanishad – 1.3.14. Maugham had visited India in 1938 and met Ramana Maharishi at his ashram in Tamil Nadu. Filmmaker Ashish Avikunthak made a film based on this Upanishad called “Katho Upanishad” which was first shown as a video installation at Gallery Chatterjee & Lal in Mumbai in 2012. Roger Zelazny included a quote from the Katha Upanishad as dialogue between two characters in his novel, Lord of Light. ==See also==
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