In 1990, Schlesinger listed her earlier provincial stage work as: •
Romeo and Juliet at the
Sheffield Crucible; •
Agnes of God,
Stags and Hens,
Martin Chuzzlewit and
Fair Stood the Wind for France, at the
Theatre Royal Northampton; •
The Marvelous Land of Oz at the
Leeds Playhouse; •
Nell Dunn's
The Little Heroine at the
Nuffield Theatre, Southampton. Listed London work included: • ''
A Midsummer Night's Dream, The Merry Wives of Windsor and Bashville'', at the
Open Air Theatre, Regent's Park (1984); •
The Secret Diary of Adrian Mole, Aged 13¾ at the
Wyndham's Theatre (December 1984); •
Three Sisters at the
Greenwich Theatre (March 1987) and the
Albery Theatre (June 1987); •
The Living Room at the
Royalty Theatre (October 1987). Schlesinger made her
National Theatre debut in 1988 as Grace Wellborn in
Ben Jonson's
Bartholomew Fair staged in the Olivier Theatre, followed in 1989 by her role as Jacinta in the Cottesloe revival of
Lope de Vega's
Fuenteovejuna. In November 1989, again at the National, she played the title role in
Steven Berkoff's
symbolist stage adaptation of
Oscar Wilde's
Salome, a production which transferred to the
Phoenix Theatre in January 1990. According to critic
Robert Tanitch, "Katharine Schlesinger mimed the
dance of the seven veils and, without having taken anything off, persuaded a hushed audience that she was standing there totally naked." In February 1991, at the
Royal Court's Theatre Upstairs, Schlesinger took part in performances of selected plays in the Young Writers' Festival. Since then no further London stage credits for Katharine Schlesinger have been listed in the
Theatre Record annual Indexes. ==Audio work==