Katherine Pleydell-Bouverie

Pleydell-Bouverie was born into an aristocratic family at the Coleshill estate near Faringdon, then in Berkshire. Her parents were Duncombe Pleydell-Bouverie and his wife Maria Eleanor, the daughter of Sir Edward Hulse, 5th Baronet; her paternal grandfather was Jacob Pleydell-Bouverie, 4th Earl of Radnor. Pleydell-Bouverie was the youngest of three children growing up in a 17th-century stately home surrounded by blue-and-white and famille verte Chinese porcelain. It was during childhood holidays playing on a muddy beach at Weston-super-Mare with her siblings that she was first introduced to clay. She died at Kilmington, Wiltshire, in January 1985 at the age of 89. == Career ==

Whilst living in London in the 1920s, her interest in pottery began when she visited Roger Fry at his Omega Workshops and saw examples of his work, which led to her attending evening classes at the Central School of Arts and Crafts in London to study pottery under Dora Billington. In 1946, after the family sold Coleshill House, she moved to her second pottery, in a malthouse attached to the 17th-century manor house at Kilmington in Wiltshire, where she worked until her death in 1985. Here she used first an oil-fired kiln, and then an electric one. After World War II, Pleydell-Bouverie sold her ceramic work at low prices, possibly because she had private means. == Style, technique and reception ==

Pleydell-Bouverie described herself as "a simple potter. I like a pot to be a pot, a vessel with a hole in it, made for a purpose". In a letter to Bernard Leach written 29 June 1930, she said "I want my pots to make people think, not of the Chinese, but of things like pebbles and shells and birds' eggs and the stones over which moss grows. Flowers stand out of them more pleasantly, so it seems to me. And that seems to matter most." Pleydell-Bouverie was judgmental of the aesthetic of some of her contemporaries such as Charles and Nell Vyse as too 'competently commercial' rather than evoking the appearances of 'things like pebbles and shells and birds' eggs'. She was also critical of Distributism as exemplified by The Guild of St Joseph and St Dominic saying 'I met a bunch of 'em the other day. They made me rather angry.' Pleydell-Bouverie's pots are functional and tend to have a style similar to Bronze Age English pottery. == References==