In the early 1980s, Levene played guitar and keyboards on
roots reggae vocal and dub
discomix releases from
Bim Sherman,
Jah Woosh,
Singers and Players,
Prince Far I and
Style Scott's
Dub Syndicate. Levene recorded "Devious Woman" with
Bim Sherman and
Singers & Players, which also featured on the film soundtrack of
Smithereens starring
Richard Hell, and in 1982, the dub version of the track was released by
New Age Steppers and Creation Rebel on the
Threat to Creation album. In mid-1986, Levene was asked to produce demos for the album
The Uplift Mofo Party Plan by the
Red Hot Chili Peppers at Master Control in
Burbank with engineers Steve Catania and Dan Nebenzal. Also in 1986, Levene worked with DJ
Matt Dike, experimenting with sampling techniques and hip-hop for
Ice-T and
Tone Loc on their early recordings for Delicious. In 1989, he released his first solo release,
Violent Opposition, on which members of the Red Hot Chili Peppers performed. At an impromptu appearance at the Musicport Festival in
Bridlington Spa on 24 October 2010, where they were joined by vocalist Nathan Maverick, Levene returned with former PiL bassist
Jah Wobble. In 2011 Levene contributed to three tracks on the album
Psychic Life, a collaboration between Wobble and
Lonelady. In early 2012, after some planned Japan gigs were cancelled because of visa issues, Levene and Wobble played various venues in England, Wales and Germany as
Metal Box in Dub, followed by the release of a four-song EP,
Yin & Yang. In 2014, Levene travelled to Prague to record the album
Commercial Zone 2014, funded by a
crowdsourcing campaign at
Indiegogo. Tim Peacock of
Record Collector noted that it was "recorded in isolation at
Prague's Faust Studios", and that the album is in actuality an offering of new material. Peacock stated: "It's primarily instrumental in design, veering from the chilled, scene-stealing Behind the Law to the synth-heavy Kraftwerk-ian noir of They Came to Dance." In a 2014 interview from Prague regarding
Commercial Zone 2014, Levene stated: "People kept asking 'when are you doing an autobiography?' I said 'I’m not, why would I do one?' Well, that all changed and I started doing a ton of interviews with Kathy DiTondo, talking about the times, the people, the places and it was quite fucking heavy therapy. She’d be asking me questions and some of it would be the same old story, and I’d think I’ve told this story a million times, boring, but I’m telling her because she wants to know genuinely and she thinks its important. Then I’m realising, fuck – this is heavy duty, this hurts. So what it evolved into was quite good for me. We were doing
Diary of a Non-Punk Rocker, we were zooming in on areas of my life... We didn’t plan it this way, it fell into place this way. We were doing this
Commercial Zone 2014 campaign, and offered previews from Diary. Kathy DiTondo came up with 'I was A Teenage Guitarist 4 The Clash' and I said 'fucking good'. Then I said “let’s do it
Commercial Zone style” hand made and with the covers and so on." ==Death==