, November 2007|alt=Kelly standing at a microphone, he is shown in right profile, wearing a harmonica in a cradle and staring into the distance. Paul Kelly has been acknowledged as one of Australia's best singer-songwriters. His music style has ranged from
bluegrass to studio-oriented
dub reggae, but his core output comfortably straddles
folk,
rock, and
country. His lyrics capture Australia's vastness both in culture and landscape; he has chronicled life about him for over 30 years and is described as the
poet laureate of Australia. According to music writer
Glenn A. Baker, his Australian-ness may be a reason Kelly has not achieved international success.
David Fricke from
Rolling Stone calls Kelly "one of the finest songwriters I have ever heard, Australian or otherwise." Fellow songwriter Neil Finn (Crowded House) has said, "There is something unique and powerful about the way Kelly mixes up everyday detail with the big issues of life, death, love and struggle – not a trace of pretence or fakery in there". Ross Clelland, writing for
Rolling Stone, described Kelly: "[W]hile he was (rightly) lauded for his ability to sing of injustice without ranting, or deal with the darker sides of human nature non-judgementally, often overlooked was the fact he could write a damn fine melodic hook to go with those words". Tim Freedman (
The Whitlams) acknowledges Kelly,
Peter Garrett (Midnight Oil), and
John Schumann (
Redgum) as inspiring him by "[furnishing] our suburbs with our own myths and social history". However, Kelly has been quoted as saying "Song writing is mysterious to me. I still feel like a total beginner. I don't feel like I have got it nailed yet". In 2007 Kelly donated his '
Lee Oskar' harmonica to the Sydney
Powerhouse Museum. The museum's statement of significance cites Kelly's talent as a songwriter, his distinctive voice, and his harmonica playing, particularly on
Live, May 1992. Kelly described his songwriting as "a scavenging art, a desperate act. For me it's a bit from here, a bit from there, fumbling around, never quite knowing what you're doing ... Song writing is like a way of feeling connected to mystery." He has resisted the label of 'storyteller' and insists that his songs are not strictly autobiographical; "they come from imagining someone in a particular situation. Sometimes a sequence of events happens which makes it more a story, but other times it's just that situation". Sometimes the same character is found in different songs, such as in "To Her Door", "Love Never Runs on Time", and "How to Make Gravy". Kelly has also provided songs for many other artists, tailoring them to their particular vocal range.
Women at the Well (2002) had 14 female artists record his songs in tribute. According to Kelly, he adapted his song "Foggy Highway" for Renée Geyer because "I admired her deep soul singing, ferocious and vulnerable ... When I heard the finished version ... the hairs rose up on the back of my neck." Kelly and The Stormwater Boys recorded it in a
bluegrass style as the title track for the 2005 album
Foggy Highway.
Divinyls' lead singer
Christina Amphlett recorded "Before Too Long"—she was attracted by the lyrics—she interpreted the song's narrator as being a stalker, and provided a female perspective in a darkly menacing manner à-la
Fatal Attraction. Kelly has written songs with and for numerous artists, including
Mick Thomas, Geyer,
Kate Ceberano, Vika and Linda Bull,
Nick Cave,
Nick Barker, Kasey Chambers, Yothu Yindi, Archie Roach,
Gyan,
Monique Brumby,
Kelly Willis, Missy Higgins, and Troy Cassar-Daley. He has described how some songs he writes are suited to other vocal ranges. "Quite often, I'm trying to write a certain kind of song and it's more ambitious than what my voice will get to. That's how I started writing songs with other people in mind". Kelly and Carmody's "From Little Things Big Things Grow" was analysed by Sydney University's Linguistics professor James R Martin. "[They] render the story as a narrative ... with the familiar Orientation, Complication, Evaluation, Resolution and Coda staging". Martin finds that Kelly and Carmody made the point that when people exert their rights with support from friends, they may defeat those with prestige. Kelly understands that co-writing with other songwriters lends power to his songs. "You often write songs with collaborators that you would never write by yourself. It's a way of dragging a song out of you that you wouldn't have come up with". One of his collaborators, Linda Bull, described Kelly's process: they would start with a simple chat. "We'd just chuck ideas around and he'd pick the best bits. He'd take all the bluntness and crudeness out of it and make it beautiful; that's his magic ... It's conversations that you have ". Forster summarised his 2009 review of Kelly's compilation,
Songs from the South, with "[his songs] sound easy and approachable ... Then you think: If the songs are so simple and the ideas behind them so clear, why aren't more people writing like Paul Kelly and sounding as good as he does?" In 2010 Carmody and Kelly's "From Little Things Big Things Grow" was added to the
National Film and Sound Archive's Sounds of Australia Registry. ==Personal life==