The Daily Film Renter wrote: "It is evident John Baxter, the director, has more than a sneaking admiraticn for the minstrel show, for he has handled the subject with something akin to reverence, securing the utmost possible sympathy for the old-time players. ... Scott and Whaley, the coloured artistes, take leading roles, appearing as Mott and Bayley with considerable success, Not only do they give their familiar music-hall performances, but they also act with extreme competence."
Picturegoer wrote: "The idea of this production is to trace the evolution of popular musical entertainment during the past three decades, but it is not wholly successful in its purpose. The story is thin, and the treatment definitely scrappy. What should have been a cavaicade of the show business has become rather a rambling and disconnected series of turns relying mainly on the cross talk of Scott and Whaley for amusement. ... [the] finale is lavishly staged and melodious, but it, too, cannot escape the generally unsatisfactory atmosphere. C. Dernier Warren puts up a good show as Goldman, while Nina Mae McKinney, who has a song number, and Debroy Somers' Band put some pep into the culminating musical ensemble."
Stephen Bourne, writing in 2008 in
The Independent, referred to the film's "brilliant musical finale". ==References==