Although Keshavasuta began writing poetry in his childhood, his active period as a "true poet" is considered to be between 1885 and 1905. The pen name "Keshavasuta" was bestowed upon him by Narayan Phadnis, the editor of the monthly magazine
Kavyaratnavali, and it was under this name that his work became known to the public.
Style and themes Keshavasuta's poetry represented a departure from traditional Marathi poetry. His style was described as somewhat rough, lacking the rhetorical flourishes common among the earlier scholarly poets. He experimented with meter, favoring
matraganavrttas over
aksharaganavrttas, and introduced new rhymes. He is credited with being the first to introduce the
sonnet form from English literature into Marathi poetry. His work was influenced more by English rhythmic poets such as
Wordsworth,
Shelley, and
Keats than by Sanskrit or traditional Marathi predecessors. His poems explored themes of self-discovery, nature, social rebellion, and interpersonal relationships. His writing reflected a free-spirited attitude that revolutionized Marathi poetry and influenced future generations. His philosophical foundation relied on principles of freedom, equality, brotherhood, and humanism.
Notable works Keshavasuta's poems covered diverse subjects: • Nature: Poems such as
Beetle (1890),
Flower Leaf (1892), and
Butterfly (1900) depict elements of nature. • Social rebellion: His revolutionary social views are evident in works like
Tutari (1893),
Nava Shipai (1898), and
Gofan Keli Chan (1905). • Mysticism: He wrote poems reflecting mysterious experiences and enlightenment, the most popular being
Zapurza. Other poems in this genre include
Mhatari (1901) and
Harpale Shrey (1905). ==Legacy==