The head of a local
Temperance movement would attend one of Kidar's plays and hired him to produce a
silent film depicting the evils of alcohol. Using the money he earned from this project, he would receive his master's degree in English at
Khalsa College, Amritsar before joining a local theatre group that earned him limited acting success in 1931. He was married in 1932 and painted to earn income. Upon seeing an early
talkies film
Puran Bhagat (1933) by film director
Debaki Bose, he left for
Calcutta hoping to get his big break at New Theatres Studios, where Debaki Bose worked. After many months of unemployment he managed to meet a then-unknown actor of
New Theatres,
Prithviraj Kapoor (where he would meet Prithviraj's eight-year-old son for the first time,
Raj Kapoor). Prithviraj Kapoor introduced Kidar to his neighbour, then-unknown
Kundan Lal Saigal, who through an acquaintance allowed Kidar to meet Debaki Bose. Debaki Bose hired Kidar initially to become the
Movie stills photographer for the film
Seeta (1934) but would give Kidar his first part in the creation of film with that of a backdrop screen painter and a poster painter for the film
Inquilab (1935) where Kidar also had a
bit part. Kidar would continue to work with New Theatres on films such as
Dhoop Chhaon (1935) and
Pujarin (1936) but a big break would come when Kidar was asked to write the dialogue and lyrics for the 1936 adaptation of
Devdas starring his friend
Kundan Lal Saigal.
Devdas was not only a hit, but songs from the film such as
Balam Aaye Baso Moray Man Mein and
Dukh Ke Ab Din Beetat Naahi became feverishly popular throughout the country, giving Kidar Sharma acclaim by the press and public. Kidar would later say, "Both
Bimal Roy and I got our first big break in
Devdas. He as the cameraman and I as the writer." In 1958, he would work for one year directing movies in Singapore for
Shaw Brothers Studio. ==Death and legacy==