The opera was commissioned by the
Finnish National Opera and composed between 1986 and 1988. It was intended for the opening of a
new national opera house in Helsinki, but building construction delays meant that the work was presented in Los Angeles as part of the celebrations of the 75th anniversary of Finnish independence. The English version (1991) was by composer
Stephen Oliver (who had already translated
The Red Line and
The King goes forth to France for Sallinen.
Kullervo was first performed on 25 February 1992 at the
Los Angeles Music Center with the soloists, chorus and stage production from the Finnish National Opera and
Los Angeles Chamber Orchestra. It was recorded by the original cast and issued on CD by
Ondine Records. The work opened the new Helsinki opera house in 1993 and from its premiere until 2014 had been seen in six countries and three languages, in over 70 performances. The first performances outside the United States and Finland were given by the Opéra de Nantes in December 1995, with Jorma Hynninen in the title role and
Koen Kessels conducting. Eeva-Liisa Saarinen, Vesa-Matti Loiri and Pertti Makela also reprised their roles from the premiere. The scenario of Sallinen's fifth opera, between
The King Goes Forth to France (Savonlinna, 1984) and
The Palace (Savonlinna, 1995), is based on the
Kalevala epic and the 1864 play by
Aleksis Kivi. One reviewer has commented: "To call
Kullervo dark and brutal does not do full justice to the opera", citing the love of Kullervo's mother, friendship with Kimmo, even humour from the hunter. However, another, describing the premiere, wrote that "not every new opera packs so immediate a punch, or leaves one feeling – as with the works of
Janáček – at once depressed at so bleak a view of the world [...] yet inspired and even elated by the dispassionate passion with which that view has been expressed". The music has "a strong tonal basis" and "colourful effects enhanced by some imaginative instrumentation". Another critic noted that there "is not a superfluous quaver in
Kullervo" and admired the "sinuously coiled melodies [...] quirky ostinato figures, long-held pedal-points, sardonically percussive setting of arioso dialogue". Sallinen was not the first Finnish composer to turn to the story of Kullervo for musical inspiration:
Robert Kajanus wrote ''Kullervo's Funeral March
, Op. 3 (1880), then Jean Sibelius wrote a five-movement symphonic work Kullervo, Op. 7 (1892), for soprano, baritone, male choir and orchestra (subsequently withdrawn by the composer and sometimes referred to as his "Kullervo Symphony"), and Leevi Madetoja composed a symphonic poem, Kullervo'', Op. 15 in 1913. ==Roles==