Illa de la Discòrdia

The name of the block label dates from the turn of the twentieth century, when much of the local press greatly satirized the new architectural styles of Modernisme. The words "illa" and "mansana" both provide a play on words. "Illa de la discòrdia" is a Catalan expression that corresponds with the English expression "bone of contention," but also literally means "block of discord." Similarly, "mansana de la discòrdia" is a pun that means both "block of discord" and "apple of discord," referring to the golden Apple of Discord in the Judgment of Paris, a Greek myth in which three goddesses participate in a competition to determine which of them is the fairest. Calling the area the "Apple of Discord" thus refers to the presence of the major Modernista architects all competing for the most impressive architecture (and their styles clashing) on the same city block. ==History==

When Barcelona was expanding in the 19th century, the Eixample became a highly fashionable district. Wealthy families moved into large properties lining the Passeig de Gràcia, a tree-lined boulevard that served as the area's main thoroughfare and commercial centre. A vogue emerged for refurbishing existing buildings for use as family homes, and many affluent homeowners commissioned prominent architects of the burgeoning Modernista movement to remodel their homes in an often conspicuously opulent style. The first house on the block at 35-43 Passeig de Gràcia to be remodelled in the Modernista style was Casa Amatller. It was originally built in 1875 in a relatively plain style, conforming to the guidelines laid out in Ildefons Cerdà's 1860 building regulations for the expansion of the Eixample district. In 1898, the Amatller Family commissioned the architect Puig i Cadafalch to carry out a complete transformation of the façade, the ground and first floors. Cadafalch created a striking new frontage in a Flemish Gothic style with a high stepped gable, ceramic tiles and sculpted animal figures. In contemporary photographs, Casa Amatller can be seen protruding above an otherwise relatively uniform terrace of houses. Within a short period, the vogue for Modernista renovations transformed the block from an unremarkable terrace of houses into a showpiece of new architecture. In 1905, the Catalan Modernista Lluís Domènech i Montaner completed his remodelling of the Casa Lleó Morera at the southern end of the block on the corner of Carrer Consell de Cent in a florid, eclectic style with ceramic tiles. Enric Sagnier's 1906 redesign of Casa Mulleras at number 37 was comparatively restrained, adding a sober Neoclassical frontage with a Rococo-style loggia. The renovations completed in 1906 on the house at number 43 were the most striking; originally built in 1877, the house was bought by textile industrialist Josep Batlló in 1900. Following the fashion for house renovations and keen to commission a design that would be conspicuously different from his neighbours' properties, Batlló appointed the audacious Catalan Modernista architect Antoni Gaudí to carry out the work. Gaudí's redesign drew on Modernisme and Art Nouveau, creating a dramatic facade of flowing, sculpted stonework and a colourful, organic roof in the form of a dragon's arched back. ==Architecture==

The houses are the Casa Lleó-Morera, at Passeig de Gràcia 35, designed by Lluís Domènech i Montaner; Casa Mulleras, at Passeig de Gràcia 37, designed by Enric Sagnier; Casa Bonet, at Passeig de Gràcia 39, designed by Marcel·lí Coquillat i Llofriu; Casa Amatller, at Passeig de Gràcia 41, designed by Josep Puig i Cadafalch; and Casa Batlló, at Passeig de Gràcia 43, designed by Antoni Gaudí. Due to the presence of these famous landmark buildings, the block is a significant tourist attraction in Barcelona. ==See also==