Roberto Curti, author of
Italian Gothic Horror Films, 1957–1969 stated that Ferruccio Casapinta "shows no directorial flair at all." and that for a gothic film, it "looks awful." The review noted that editing was poor, with night and day shots alternating within the same scene and that the special effects were terrible noting the thunderstorms and pink clouds that surround the castle. Curti concluded that the film was an "obscure— and deservedly so— addition to the Gothic genre" Louis Paul, author of
Italian Horror Film Directors stated that the film is "certainly rooted within the classic gothic atmosphere of early Italian horrors, but the addition of considerable nudity and a black-gloved killer clearly places La bambola at the cusp of the new age. It is an indication of the changing aspects of the Italian horror film to come."
AllMovie gave the film a three and a half star out of five rating, finding that the film "benefits from a slicker look and a better sense of humor." and that "It all seems a bit overwrought, but fans of Italian horror don't come to it for subtlety. Indeed, the nearly operatic histrionics on display are immensely enjoyable, for their camp value if nothing else." ==See also==