The Hong Kong Film Archive operated by the
Government of the Hong Kong Special Administrative Region noted, "The film is also the prototype of the 'Jane Bond' film, one of the most intriguing genres in the history of Hong Kong cinema. Again, Chor Yuen finds himself in the middle of major transitions." In her essay "SOS Hong Kong: Coproducing Espionage Films in Cold War Asia" in the book
Remapping the Cold War in Asian Cinemas, author Sangjoon Lee wrote, "In the Cantonese cinema world, a female version of James Bond, the protagonist in the Jane Bond cycle, came into being in the latter half of the 1960s.
Black Rose (1965) was the initiating force of this cycle, followed by its sequel
Spy with My Face (1966) and other commercially successful ones, including
The Dark Heroine Muk Lan-fa (1966) and
The Precious Mirror (1967)." Tars Tsarkas wrote that the film "did not start the strong female character/super hero genre, but popularized it to the point where Black Rose is known as the standard bearer of the genre." In the book
Screening Communities: Negotiating Narratives of Empire, Nation, and the Cold War in Hong Kong Cinema. Vol. 2, author Chang Jing Jing writes, "As a spoof on James Bond-style spy and detective films that were an international trend at the time, Black Rose has been situation by some critics as the harbinger of the mid-1960s subgenre known locally as 'Jane Bond' films." In the book
Nostalgic Humor and Cultural Memory in the Remakes of Hong Kong Jane Bond Films, author Jessica Siu-yin Yeung wrote, "Black Rose in Chor Yuen's
The Black Rose (1965),
Spy with My Face (1966), and
To Rose with Love (1967) is central to Jeff Lau's comedy remakes, as in
92 Legendary La Rose Noire (1992),
Rose Rose I Love You (Pang dir., Lau as producer, 1993), and
Black Rose II (Lau and Yuen 1997). Chor's trilogy has an enduring influence on Hong Kong popular culture, including cinema, media, and
Cantopop (Lai 1997, 97)." In a review of
The Dark Heroine Mun Lak-fa, reviewer Tars Tsarkas wrote, "How much is cribbed from the Black Rose films? A lot." In a review of The Beauty's Evil Roses, Andrew Pragasam wrote, "A hybrid kung fu-horror-soft-core porn-fantasy-cop thriller it is also tangentially a parody of the classic superhero serial Black Rose (1965). Indeed the film was released, most likely not by coincidence, the same year as another more high-profile Black Rose parody: Jeff Lau's multilayered nostalgia comedy
'92 Legendary Rose Noire which went on to win best picture at the Hong Kong Film Awards. Lau's film also inspired the later teen comedy
Protégé de la Rose Noire (2004), a vehicle for bubblegum Cantopop duo Twins." ==Inspiration for real-life superheroines==