In the works of Agatha Christie There are numerous lady's companions in the mysteries of
Agatha Christie, e.g.
After the Funeral. In her novels dating before the
Second World War, the companion is presented as a conventional feature of the life of the moneyed classes. However, it is after the Second World War that desperation begins to creep in. The companions after the Second World War are generally elderly women who grew up in Victorian times without the expectation of having to provide for themselves, but who find themselves impoverished due to the decline of the fortunes of many once well-to-do families as a result of the
Great Depression and the investment losses incurred during the War. At the same time, the women who employ them are often not so well off as they once were themselves, especially in net terms due to high rates of property taxation. This situation is complicated by the collapse in the supply of working-class servants due to changing labour market conditions and social attitudes, so that companions are increasingly asked to perform domestic duties which they find humiliating, especially since they at one point had servants waiting on them. Along with the growing keenness of young middle-class women to take advantage of the broadening range of options available to them to have a career, this degradation of the status of the companion represents the closure of the era of the lady's companion in the United Kingdom.
Other examples • In
Vanity Fair, the protagonist
Becky Sharp hires Miss Briggs as a companion she describes as a sheepdog, thus allowing her husband to leave her with propriety in the company of other men with whom she is flirting. •
Heidi, in the eponymous children's novel, is taken from her Swiss mountain home at the age of eight to become the companion of an invalid girl in Frankfurt, Germany. • The unnamed narrator of
Rebecca is a lady's companion as the novel begins. • Miss Taylor, one of the first characters met in
Jane Austen's novel
Emma, lives with the Woodhouses "less as a governess than a friend" to her grown-up charge. • Josephine March (and later, her youngest sister Amy) is a companion to her wealthy great-aunt in
Louisa May Alcott's novel
Little Women. • Sarah Woodruff works as a companion in
John Fowles's ''
The French Lieutenant's Woman''. • Dorothy "Dot" Williams is Phryne Fisher's companion in ''
Miss Fisher's Murder Mysteries'' (2012). • Annette in
Osbert Sitwell's ''
A Place of One's Own'' (1945). • The eponymous heroine of
Emily Fox-Seton,
Frances Hodgson Burnett's 1901 novel, had worked as a companion before marrying a wealthy nobleman, in a fashion similar to the plot of
Cinderella. • In
Downton Abbey the film, Lady Bagshaw's illegitimate daughter Lucy was initially her lady's maid to hide her identity but was then presented as her mother's companion to make her more suitable as an heir to Lady Bagshaw's estates. ==See also==