• '''
Jahangir's Hauz
(tank) (1610 AD): this monolithic tank (hauz) was used for bathing. It is 5 feet high, 8 feet in diameter and 25 feet in circumference. On the external side of the rim there is an inscription in Persian which mentions it as Hauz-e-Jahangir'''. It was first discovered near the
courtyard of Akbar's palace. In 1843 AD and later it was placed in front of Diwan-e-Am. In 1862, it was shifted to public garden (Company Bagh) where it suffered much damage. Later, Sir John Marshall brought it back to Agra Fort and placed there. Due to this hauz, the palace became famous as Jahangiri Mahal though it is part of Akbar's Bengali mahal. •
Shahjahani Mahal (1628–35 AD): it is situated in between the white marble Khas Mahal and the red stone Jahangiri Mahal and is set transitionally in between these two residential complexes of two different ages. It is the earliest attempt of the Mughal emperor Shahjahan to convert an existing red stone building in accordance with his taste and it was his earliest palace in Agra Fort. It has a large hall, side rooms and an octagonal tower on the riverside. The skeletal construction of brick and red stone was all redone with a thick white stucco plaster and colourfully painted in floral designs. The whole palace once glistened white like white marble. On the face towards the Khas Mahal, is a large spacious white marble dalan, composed of five arches, supported on double pillars and protected externally by a chhajja. Its closed western bay houses, the Ghaznin gate, Babur's baoli and a well are situated beneath it. in
Ghazni,
Afghanistan •
Ghaznin Gate (1030 AD): the gate originally belonged to the tomb of
Mahmud Ghaznavi at Ghazni. It was brought from there by the British in 1842. Lord Ellenborough, the Governor General, in historic proclamation claimed, that these were the sandalwood gates of Somnath which Mahmud had taken to Ghazni in 1025, and the British had thus avenged an insult of 800 years back. This false claim was made just to win the goodwill of the Indian people. The gate is, in fact, made of local deodar wood of Ghazni and not of sandalwood. The style of decoration bears no resemblance to ancient Gujrati woodwork. There is also an Arabic inscription carved on the upper part. It mentions Mahmud with his epithets. Sir John Marshall had placed here a notice-board which described the whole episode about this gate. It is 16.5 feet high and 13.5 feet broad and its weight is about half a ton. It is made up of geometrical, hexagonal and octagonal panels which have been fixed, one with the help of the other into the frame without rivets. The idea to restore it at Somnath was ultimately given up and the gate was abandoned. Since then, it is stored in a room. • '''Jahangir's Chain of Justice''' (c. 1605 AD): this is the spot where Mughal king Jahangir instituted his 'chain of justice'(Zanjir-i-Adl) in c. 1605 AD. He records in his memoir that after his accession, the first order he gave, "was for the fastening up of the chain of justice so that if those engaged in the administration of justice should delay or practice hypocrisy, the aggrieved might come to this chain and shake it so that its noise might attract my attention". It was made of pure gold. It was 80' in length and had 60 bells. Its weight was 1 Quintal. One end was fastened to the battlements of the Shah-Burj and the other end to a stone post on the bank of the river. This is not a myth. Contemporary foreign travellers like William Hawkins personally saw it. It has also been depicted in a contemporary painting made in 1620 AD. This was a way to redress the grievances of the people who could approach the king, the highest judicial authority of the empire, directly, without fee, fear or formality for immediate relief. There was no distinction of caste or creed or between poor and rich. Jahangir's administration of justice 'Adl-i-Jahangir' became a legend in Indian history. •
The Muthamman Burj (Shah-Burj) &
Jharokha (1632–1640 AD): this palace surmounts the largest bastion of Agra Fort on the riverside, facing the East. It was originally built of red stone by Akbar who used it for jharokha darshan, as well as for sun worship, every day at sunrise. Jehangir also used it as jharokha, as is faithfully shown in his painting made in 1620. He also instituted his 'Adl-i-Janjir'(the chain of justice) on its south side. Owing to its octagonal plan, it was called 'Muthamman Burj'. It has also been mentioned as 'Shah-Burj'(the imperial or king's tower) by Persian historians and foreign travellers. Its name jasmine tower or 'Samman-Burj' as recorded by the contemporary historian Lahauri is a misnomer. It was rebuilt with white marble by Shah Jehan around 1632–1640 AD. He also used it for jharokha darshan which was an indispensable a Mughal institution as was 'Durbar'. It is an octagonal building, five external sides of which make a dalan overlooking the river. Each side has pillar and bracket openings, the easternmost side projects forward and accommodates a jharokha majestically. On the western side of this palace is a spacious dalan with Shah-Nasin (alcoves). A shallow water-basin (kunda) is sunk in its pavement. It is profusely inlaid. This dalan opens on a court which has a
chabutara projected by a jali screen, on its northern side, a series of rooms leading to Shish Mahal on its western side; and a colonnade (dalan) with a room attached to its on the southern side. It is, thus, a large complex entirely built of white marble. It has deep niches on the walls, to break the monotony. Dados have repetitive stylized creepers inlaid on borders and carved plants on the centre pillars, brackets and lintels also bear exquisitely inlaid designs and it is one of the most ornamented buildings of Shah Jehan. This palace is directly connected to the Diwan-i-Khas, Shish Mahal, Khas Mahal, and other palaces. and it was from here that the Mughal emperor governed the whole country. This burj offers full and majestic view of Taj Mahal and Shah Jehan spent eight years (1658–1666 AD) of his imprisonment in this complex, and it is said that he died here. His body was taken by boat to the Taj Mahal and buried. •
Shish Mahal (1631–40 AD): it was built by Mughal Emperor Shahjahan as a part of summer palace. Its most distinctive feature is glass mosaic work done on its walls and ceiling. These glass pieces have high mirror quality which glittered and twinkled in thousand ways in semi-dark interior. The glass was imported from Haleb of Syria. Shahjahan built glass palace also at
Lahore and Delhi. ==In popular culture==