Buñuel claimed: "I was able to film Las Hurdes thanks to
Ramón Acín, an
anarchist from
Huesca,...who one day at a cafe in
Zaragoza told me, 'Luis, if I ever won the lottery, I would put up the money for you to make a film.' He won a hundred thousand
pesetas...and gave me twenty thousand to make the film. With four thousand I bought a
Fiat; Pierre Unik came, under contract from
Vogue to write an article; and Eli Lotar arrived with a camera loaned by
Marc Allégret." The movie is a pseudo-documentary, parodying the exaggerated documentaries of travelers across the Sahara being filmed at the same time. One of Buñuel's points is that there are plenty of terrible subjects for a documentary right in Spain. The film was originally
silent, though Buñuel himself narrated when it was first shown. A French narration by actor
Abel Jacquin was added in Paris in 1935. Buñuel used extracts of
Johannes Brahms'
Symphony No. 4 for the music. Buñuel slaughtered at least two animals to make
Las Hurdes. One Hurdano claimed that he arranged for an ailing donkey to be covered with honey so he could film it being stung to death by
bees. Similarly, his crew shot a mountain goat that subsequently fell from a cliff for another sequence. ==Premiere and censorship==