Pop artist Andy Warhol was raised
Catholic and remained a devout practitioner throughout his life. Initially conceived as a commission for the gallerist
Alexander Iolas, the
Last Supper series reinterpreted Leonardo da Vinci's
The Last Supper (Il Cenacolo) through Warhol's characteristic strategies of appropriation, seriality, and repetition. Warhol exceeded the scope of the commission, producing nearly 100 variations on the theme between 1985 and 1986, primarily silkscreens and paintings, including the collaborative sculpture
Ten Punching Bags (Last Supper) (1985) with
Jean-Michel Basquiat. The
Last Supper series was first exhibited in January 1987 at the former refectory of the Palazzo delle Stelline in
Milan, opposite
Santa Maria delle Grazie, which houses da Vinci's mural
The Last Supper. Warhol died shortly after the opening in February 1987, followed by Iolas' death in June 1987. Central to the exhibition at the Palazzo delle Stelline was
Camouflage Last Supper (1986), a monumental work measuring more than 25 feet in length and overlaid with a military-style camouflage pattern. == Critical response ==