Box office Late Night grossed $15.5 million in the United States and Canada, and $6.9 million in other territories, for a worldwide total of $22.4 million. In its limited opening weekend, the film made $249,694 from four theaters, for a per-venue average of $62,414, the second-best of 2019. The film expanded on June 14, opposite the openings of
Men in Black: International and
Shaft, and was projected to gross $5 million from 2,218 theaters over the weekend. It ended up making $5.1 million, finishing ninth. While in-line with projections, the opening was viewed as disappointing given the positive critical reception and the studio's cost of acquisition. However,
Deadline Hollywood noted the film was essentially an advertisement for streaming on
Amazon Prime, and audiences may have been waiting to see it later. It made $2.6 million the following weekend, dropping 51% to 12th.
Critical response On
Metacritic, the film has a
weighted average score of 70 out of 100, based on 46 critics, indicating "generally favorable" reviews. Audiences polled by
CinemaScore gave the film an average grade of "B+" on an A+ to F scale, while those at
PostTrak gave it an average 3.5 out of 5 stars, with women (who made up 71% of the demographic) grading it an overall positive score of 80%.
Owen Gleiberman of
Variety magazine called the film "lively yet scattershot" and praised Thompson's performance, saying "Thompson truly seems like a born talk-show host. Even when she's just riffing, she grounds
Late Night in something real." Anthony Kaufman of
ScreenDaily also praised Thompson for "a memorable performance as the abrasive 'cold witch,' as someone describes her, perhaps even outdoing Meryl Streep's Miranda Priestly in
The Devil Wears Prada as a delightfully wicked woman of power." Leah Greenblatt of
Entertainment Weekly also praised Thompson's performance, saying her "gravitas holds the center," and that "the best scenes in
Late Night are consistently the ones where the movie's main stars spar and banter and intermittently connect." Greenblatt praised director Nisha Ganatra for refreshing classic romantic comedy tropes, but added that the tone is at times "scattershot and sometimes too sitcom-ish." Alissa Wilkinson of
Vox said "
Late Night is a workplace comedy that feels like a cousin of
The Devil Wears Prada, and its greatest strength is its two lead characters." She also wrote, "
Late Night feels underwritten in some spots, but it's surprising in others—an unfussy, entertaining comedy with some serious matters on its mind."
Richard Lawson of
Vanity Fair described it as "a genial, funny movie, not a mile-a-minute behind-the-cameras gag-fest (hyphens!) like
30 Rock, but an amiable workplace comedy that finds personal definition in its influences." Sheila O'Malley of
RogerEbert.com rated the film three and a half out of four stars, specifying that is "an earnest and funny comedy, with very sharp teeth."
Accolades ==Notes==