Fry was an exceptionally talented woodcarver, and one of her earliest public works was a carved panel of lilies that took first prize ($100 in gold) in a competition for designs to decorate the organ screen in
Cincinnati Music Hall, which has been called the "magnum opus of the wood-carving movement" in late 19th century America. For several years, she ran the wood-carving school of the local
Chautauqua Assembly. In 1893, Fry received an award for her wood carving at the
World's Columbian Exposition in Chicago. She briefly opened her own studio, where she worked in carving, furniture design, and china painting. Unable to make a financial success of it, she closed it and in 1881 took a job at the
Rookwood Pottery Company, which had been founded by
Maria Longworth Nichols Storer the year before. Fry worked there for seven years, developing forms, decorating pottery, and teaching modeling and ceramic design to students. She was one of the original members of the Cincinnati Pottery Club (founded 1879), a group of women that organized to pursue experiments in pottery and that was influential in the development of the
American art pottery movement of the late 19th century. In 1891, Fry was offered a position as professor of industrial art at
Purdue University. She left in 1892 to work for
Lonhuda Pottery Company in
Steubenville, Ohio. Returning to teach at Purdue in 1893, she served as head of the Art Department until her retirement in 1922. Under Fry's leadership, the department developed a high reputation for its ceramics program. == Innovations ==