Laura Domitilla Maria Coen Luzzatto was born in Trieste (now part of Italy) into a Jewish family. Her father was Raffaele Moisè Coen Luzzatto and her mother was Irma Fano, both of Jewish origin. Laura was born a Turkish-Ottoman citizen, and only on 20 July 1922, at the age of eleven, did she and the rest of the family become official Italian citizens. After graduation and specialization, she won a contest for a job at the
National Central Library of Florence, where she started working in 1933, dealing mainly with the
Bollettino delle pubblicazioni italiane (Bulletin of Italian publications), until 1939 when she lost her job. She was removed from her position in accordance with the fascist racial laws of November 1938, which made it illegal for Laura, a Jew, to have a job. She had been enrolled in the Jewish Community of Florence since 1930. The connection between the choice of that name and the liberation from fascism became clear with Luigi's composition
Quaderno musical di Annalibera (1952), became a preliminary study for
Canti di liberazione (1951–55). After
Allied forces defeated fascist forces in Florence, and three months after the birth of her daughter, Laura was reinstated to the Library in June 1948 and promoted to third-class library director. She worked there until she retired in 1950 so she could accompany her husband on his travels. By that time, Luigi had become a famous composer and was making frequent trips to the United States, including appearances at
Tanglewood in western Massachusetts, and teaching at
Queens College, New York beginning in 1956.
Post retirement In 1950, following the recommendation of librarian Francesco Barberi, Laura was added to the first editorial board of
Libri: International Journal of Libraries and Information Services. In addition to being a journal editor, she was also a contributor and submitted news from Italy. From the end of the 1950s, Laura translated many works from German to Italian. Some of her efforts were in the music field (including the letters of
Alma Mahler and
Brahms and a history of jazz) and others covered a range of works for publishing houses that included
Mondadori, Il Saggiatore, La Nuova Italy and others. During this time she often signed her work as Laura Dallapiccola, but sometimes she reverted to her maiden name Laura Luzzatto.
Last years After her husband's death, on 19 February 1975, Laura devoted herself to organizing Luigi's works by setting up two collections, the first at the
Alessandro Bonsanti Contemporary Archive at the
Gabinetto Vieusseux library (in 1976), and the second at the National Central Library of Florence (in 1983). She died in Florence in 1995. At her request, her remaining library, which contained many scores of various composers, was donated to National Central Library. == Selected works ==