Her strong personality and fame gave her access to the
courts of the
Umayyads and others. She was one of the few early female Arab poets who dared to speak of her
love in public; this poetry is particularly associated with Tawba b. al-Ḥumayyir: 'Laylā and Tawba had fallen in love with each other. But when Tawba asked for Laylā's hand in marriage, her father refused, and married Laylā to another man. Later, Tawba was killed, and this inspired the laments of Laylā'. What made this even more daring was that she was married to another (
Sawwār b. Awfā al-Qushayrī). Nevertheless, love poetry was not her only
genre, as her poems were diverse in subjects, although she avoided
politics. This helped her to continue her relations with politically influential people, despite changing times and powers. Her work includes exchanges of satires with
Nābigha al-Ja‘dī (apparently between 40/660 and 63/683) Her poetry was often compared to that of
Al-Khansa. However, Layla had more diverse imagery, not confined to the
desert, and used more than one genre, not confining herself to one subject. Her poetry also contained some philosophical aspects and
wisdom, usually attributed to her extensive travel. On the other hand, Layla depended highly on her poetry for income where she was awarded with money for some poems, and her poetry provided her with connections to rich and powerful people while Al-Khansa depended on her family's traditional
pastoralism. She died in 704 near the city of
Samawa in
Iraq while traveling. Example of her poetry: ::::::::أحــجاج لا يفـلل سلاحك إنما المنـايا بكـف الله حيث تراها ::::::::إذا هبـط الحجاج أرضاً مريضة تتبـع أقصـى دائـها فشفـاها ::::::::شفاها من الداء العضال الذي بها غـلام إذا هـز القنـا سقـاها ::::::::سقاها دمــاء المارقين وعلـها إذا جمحت يوماً وخفيـف أذاها ::::::::إذا سمـع الحجـاج صوت كتيبة أعـد لها قبـل النـزول قراها ==References==