The story first appears in the Zhuangzi, attributed to the ancient Chinese philosopher
Zhuang Zhou. In the text, the tale is used as an allegory within a larger philosophical discussion about the dangers of abandoning one's natural way of being. Within its native
Daoist context, the story serves as a potent critique of artificiality, superficiality, and the abandonment of one's
innate nature (性) or
original way (故行) in pursuit of externally imposed or admired forms. Daoist philosophy often valorizes simplicity, authenticity, and living in accordance with the
Dao (道), which is seen as the underlying natural order of the universe. Artificial striving, particularly when it involves rejecting one's own inherent qualities for the sake of external appearances or societal approval, is viewed as a deviation from this natural way and, as the story illustrates, can lead to a loss of fundamental abilities and authenticity. == Political and ideological usage ==