Box office The film opened in limited release on December 23, 1994, and expanded to a wide release on January 13, 1995. During its first weekend in wide release, a four-day weekend due to
Martin Luther King, Jr. Day, the film reached number one at the domestic box office after grossing $14 million. After its initial run, the film brought in a final box office total of $160,638,883.
Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 45 based on 23 reviews, indicating "mixed or average" reviews. Audiences polled by
CinemaScore gave the film an average grade of "A-" on an A+ to F scale.
Roger Ebert of the
Chicago Sun-Times described the film as "pretty good ... with full-blooded performances and heartfelt
melodrama".
Peter Travers of
Rolling Stone particularly praised Pitt's performance saying: "Though the admirable Quinn has the toughest role, Pitt carries the picture. The blue-eyed boy who seemed a bit lost in
Interview with the Vampire proves himself a bona fide movie star, stealing every scene he's in." Comparatively, Chris Hicks of
Deseret News noted: "Pitt is the hunk of the moment, and
Legends of the Fall will only further cement his big-screen, romantic leading-man status. And he is satisfying as the internalized, rebellious Tristan (look for that name to be given to more than a few babies over the next few years). Even if the character seems only a slight twist on the similar role he played in
A River Runs Through It. (He even becomes a bootlegger!)" Multiple critics compared the plot of the Ludlow brothers to films like
East of Eden and
Giant. While some critics praised the film's performances and cinematography, they also felt the plot takes on much more than it can handle and might be better suited for a
miniseries. John Hartl of
The Seattle Times wrote: "The actors fit their roles exceptionally well, but Zwick rarely allows them the kinds of crucial, intimate moments that establish how the characters feel about each other. Occasionally the story grips, suggesting what might have been if the actors had been playing people instead of archetypes." The film's script and its propensity for melodrama was also critiqued, with some saying the story reaches
soap opera-like heights and leaves its characters underdeveloped.
Variety wrote: "As densely plotted as
Legends of the Fall is, it's to the credit of the performers and craftsmen that the film escapes the abyss of melodrama and sentimentality. Zwick imbues the story with an easy, poetic quality that mostly sidesteps the precious. The actors, working as an ensemble, are near perfect in the service of the material." In contrast,
Terrence Rafferty of
The New Yorker described the film as a "father-and-sons saga" that "gets sillier as it goes".
Janet Maslin of
The New York Times commented: "Before it turns exhaustingly hollow, this film shows the potential for bringing Mr. Harrison's tough, brooding tale to life. And the actors may have captured the spirit of the story, but that's impossible to know." In
The Baltimore Sun,
Stephen Hunter wrote: "What
Legends of the Fall lacks is any spirit of rigor. It buys into -- indeed, is selling -- the oldest of guff: the idea that the violence of banal men is beautiful and righteous. It honors male anger...[it] worships the red shift of men gone nuts on vengeance. It romanticizes gunplay. It's a big movie that's so small on the inside it's not there."
Year-end lists • Top 10 (listed alphabetically, not ranked) – Bob Ross,
The Tampa Tribune • Top 10 (listed alphabetically, not ranked) – Jeff Simon,
The Buffalo News Accolades ==Home media==