The cinema was the centrepiece of the wider
WOGA housing complex, designed by Mendelsohn in a
New Objectivity-styled urban development ensemble, with a shopping walkway, apartment blocks, lawns, and a tennis court in the back. It possibly was the first
Modernist cinema built in the world, as opposed to the Moorish, Egyptian, and baroque styles that predominated. Mendelsohn wrote a short text on his cinema, declaring 'no Baroque palaces for
Buster Keaton'. The cinema would become very influential on
Streamline Moderne cinema design in the 1930s. Heavily damaged in
World War II, it was rebuilt and re-opened and from 1969 served as a dance hall and for
musical theatre. The building's current use as a lyric-style theatre dates from the late 1970s, when the Schaubühne ensemble around
Peter Stein, formerly residing on Hallesches Ufer in
Kreuzberg, searched for a new venue. From 1978 to 1981, the interiors were completely changed, centred on a theatre hall with adjustable spaces and no separation of audience and performers. The Schaubühne ensemble itself was founded in 1962. It became the domain of Peter Stein in 1970. Stein had sparked a theatre scandal in Munich, where he had staged
Peter Weiss'
Viet Nam Diskurs, by collecting money among the theatre-goers in order to support the
Viet Cong. Strongly influenced by the
Protests of 1968 and the
German student movement, his first production of Brecht's
The Mother, starring
Therese Giehse, immediately earned fierce protests by conservative
West Berlin politicians, who spoke of "communist agitation". The next year, the ensemble received the
Deutscher Kritikerpreis award for the performance of Ibsen's
Peer Gynt. In the following years, the Schaubühne directed by Stein and his dramaturgical assistant
Botho Strauß became one of the leading theatre stages in Germany. In 1999,
Thomas Ostermeier took over as artistic director at Schaubühne am Lehniner Platz in Berlin, alongside co-directors Jens Hillje and
Sasha Waltz. Waltz opened the Schaubühne under new direction with the debut of
Körper (2000). With a move towards social theatre, attendance increased by 14%. Since 2000, the theatre has hosted
Streitraum, a series of political public panel discussions now moderated by
Carolin Emcke. Waltz left on the expiration of her five-year contract and reactivated her independent company Sasha Waltz & Guests, based in Berlin. Since 2005,
Thomas Ostermeier and Jens Hillje have been responsible for a vigorous modern orientation of Stein's former theatre, where tradition still has its place with a focus on interpretations of classic works. ==Touring==