Janiak's directing style differs from film to film. In
Honeymoon, the film is steeped in sepia tones and all colors are desaturated. The idea and tone for the film were inspired by
Invasion of the Body Snatchers. The film heavily relies on body horror and subverts traditional horror gender roles.
Fear Street: Part One - 1994 paid homage to 90s slasher films like
Scream and
I Know What You Did Last Summer. The film mirrors the tone of these films with its sense of humor and cinematography, as the film is shot in a studio style similar to 90s slasher films. The murder of Maya Hawke as the character of Heather in
Fear Street: Part One - 1994 is a nod to Drew Barrymore's death as Casey in the original
Scream Film. There is also a recreation of a scene in
Scream where students make jokes about the murder featured in
Fear Street: Part One - 1994 where a student dons a skull-mask killer mask rather than a ghost-face killer mask. The film also employs some of the graphic violence that is portrayed in 90s slasher films, and adopts a 90s aesthetic in its settings through the use of the soft glow of neon lights in the Shadyside mall, as well as in its soundtrack. Janiak used Kate's death in the first film as a way of lulling the audience into a false sense of safety as she dies late in the film and has the most violent death in the entire trilogy. Kate and Simon's death allow the audience to experience "real loss" that allows the series to propel forward. The camp setting is a direct homage to
Friday the 13th.
Fear Street: Part Two - 1978 takes on a voyeuristic tone, similar to 70s slashers in its cinematography as the viewer often watches how the events of the film unfold from outside of a window or hidden in the trees through a handheld camera.
Fear Street: Part Two - 1978 was the last movie to be filmed in the entire trilogy, which is why the tone varies so much from the first film and the second half of the last film. Because of this, Janiak decided to up the violence and blood. Unlike the first two installments,
Fear Street: Part Three - 1666 does not pay homage to horror icons, but to
The New World. The first half of the film shows the dissolution and decay of a settlement. The scenes are shot in a desaturated color palette and are shot on a handheld camera to emulate the time period. The film also uses a lot of natural lighting to help set the tone. The film then jumps back to 1994, assuming the 90s aesthetic once again. == Themes ==