Despite her teachers urging her to pursue an acting career, Bela decided to start writing a concept album of experimental music after school and soon left the theatre world for music with a theatrical twist. After releasing her first album, which she recorded at home on a small recording device, she started playing live shows. After opening for bandleader
Martin Atkins' group in a show, she joined his
supergroup Pigface briefly in 2004. In 2002, she launched
Ellahy Amen Records, a label based in
Paris, France and
Austin, Texas for avant-garde musicians. According to her website, Bela got the idea to start her own label after getting offers from other labels that she wasn't satisfied with; she didn't want to be on a male-run label. According to an interview on Persian radio, this decision came after
Mike Patton emailed her urging her to pick the label that was the best permanent home for her music rather than a label that would be a quick fix. Artists signed to her label include Bela herself; Maya Bond, an eight-year-old singer-songwriter; and Lexion Blacklord, a musician from
Switzerland. Bela is also the creator of a
custom-made instrument called a Beltar, which has
sympathetic strings and can play either noise or melody. The Beltar can be used both electrically or acoustically. Bela designed it to look like a weapon based on a theory
Trey Spruance related to her of how "instruments are the weapons of angels". In 2004, she was invited to play
SXSW's music festival to promote her album. Bela collaborated with
Eric Tessmer in 2010 on a Persian folk song called "To Beya". Bela wrote the rearrangement of the song and directed a video that was shown on a Persian Film Festival site. Bela was featured in Dazed Magazine as one of 12 artists who made alternative anthems for Dazed. She created an experimental track for them to stream called "Bitten Reformer". ==Discography==