In his early compositions, Brouwer remained close to the rhythms of Cuban music, while later he was drawn to
aleatoric music. During the 1960s and 70s, he became interested in the music of
modernist composers such as
Luigi Nono and
Iannis Xenakis, using indeterminacy in works such as
Sonograma I. Other works from this period include the guitar pieces
Canticum (1968),
La espiral eterna (1971),
Parábola (1973) and
Tarantos (1974). More recently, Brouwer's works have leaned towards
tonality and
modality. The solo guitar works
El Decamerón Negro (1981),
Paisaje cubano con campanas (1986), and the
Sonata (1990; for
Julian Bream) exemplify this tendency. His playing career ended in the early 1980s due to an injury to a tendon in his right hand middle finger. Brouwer has written for guitar, piano, and percussion, and has composed orchestral works, ballet, and music for over one hundred movies, including the film
Like Water for Chocolate. ==Other activities==