After the film's 1966 New York opening, Robert Alden of the
New York Times found Chabrol's symbolism "overdone", but lauded the cinematography and performances, concluding that
Les bonnes femmes was not a perfect, but "worthwhile" film which "deserves more recognition than it has had." Writing in
The Guardian,
David Thomson called it "one of Chabrol's best films, in which the four shopgirls he observes are all versions of the Emma Bovary dream. It's a great movie just because the people seem so ordinary and their lives so trivial." In their 2011 list of "essential" Chabrol films,
Indiewire described
Les bonnes femmes as "a simultaneously heartbreaking and chillingly dark piece," and added that "the cruel world he [Chabrol] depicts... is a man's world, and women are just passing time in it." ==References==